Publications

Bookshelves filled completely with books of different colors and sizes.

Publications

The Peabody Museum has long published a variety of print and electronic publications relating to collections, projects, and excavations conducted by Peabody Museum staff and Department of Anthropology faculty.

Current publications can be found under Books with links to purchase, while pre-1970s publications include links to texts when available. Journals includes links to  RES: Anthropology and Aesthetics, available through the University of Chicago Press, as well as several electronic journals and newsletters. 

See all Publications

Books

Stephen Dupont: Piksa Niugini Portraits and Diaries

Citation:

Stephon Dupont. 11/13/2013. Stephen Dupont: Piksa Niugini Portraits and Diaries, Pp. 216. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Stephen Dupont: Piksa Niugini Portraits and Diaries

Abstract:

Foreword by Robert Gardner
Essay by Bob Connolly

"Best Books 2013...The attraction of Dupont's books is that his photographs exhibit enormous passion and enthusiasm and are an effort to unlock the nature of the relationship between photographer and subject."
THE Magazine

This publication records acclaimed Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s (PNG) most important cultural and historical zones: the Highlands, Sepik, Bougainville, and the capital city of Port Moresby. Through images and personal diaries, Dupont’s remarkable body of work captures the human spirit of the people of PNG in their transition from tribalism to globalization. The project was conducted in 2011 with the support of the Robert Gardner Fellowship in Photography given by Harvard’s Peabody Museum of Archaeology & Ethnology.

Piksa Niugini consists of two hardcover books inside a special slipcase. The first volume is a collection of portraits in luscious duotone and 4-color reproduction; the second is a vibrant collection of the diaries, drawings, contact sheets, and documentary photographs that chronicle Dupont’s experience and working process and richly contextualize the more formal images in volume one. An exhibition of Dupont's New Guinea photographs is on display at the Peabody through September 2, 2013.

Dupont’s photographs have received international acclaim for their artistic integrity and valuable insight into peoples, cultures, and communities that are under threat or in the process of rapid change. The photographer’s many awards include a Robert Capa Gold Medal citation from the Overseas Press Club of America, a Bayeux War Correspondent’s Prize, and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007 Dupont was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan. His work has been featured in The New Yorker, Aperture, Newsweek, GQ, French and German GEO, Le Figaro, Liberation, The Sunday Times Magazine, The New York Times Magazine, Stern, Time, and Vanity Fair.

Last updated on 01/13/2022

Still Points

Citation:

Robert Gardner. 9/10/2018. Still Points, Pp. 112. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Still Points

Abstract:

Still Points is a collection of remarkable and evocative still photographs taken by award-winning nonfiction filmmaker and author Robert Gardner during his anthropological and filming expeditions around the world. Thousands of his original photographic transparencies and negatives from the Kalahari Desert, New Guinea, Colombia, India, Ethiopia, Niger, and other remote locations are now housed in the Photographic Archives of Harvard’s Peabody Museum of Archaeology and Ethnology. This elegantly produced volume presents a curated selection of more than 70 color and black-and-white images made by Gardner between the 1950s and the 1980s. Edited by Adele Pressman, Gardner’s wife and literary executor, and with a foreword by Eliot WeinbergerStill Points both honors an important and influential artist and reveals new dimensions in his work.

Last updated on 01/13/2022

Stránská skála: Origins of the Upper Paleolithic in the Brno Basin, Moravia, Czech Republic

Citation:

Jirí Svoboda Ofer and Bar-Yosef. 10/17/2003. Stránská skála: Origins of the Upper Paleolithic in the Brno Basin, Moravia, Czech Republic, Pp. 232. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Stránská skála: Origins of the Upper Paleolithic in the Brno Basin, Moravia, Czech Republic

Abstract:

In this volume, an international and interdisciplinary team of scholars—Czech and American archaeologists, paleoanthropologists, geologists, and biologists—report on the results of the investigations from 1980 through the 1990s at Stránská skála, a complex of open-air loess sites on the outskirts of the Brno Basin in the Czech Republic.

The volume presents in-depth studies of the geology, paleopedology, frost processes, vegetation, fauna, and archaeological features of Stránská skála that break new ground in our understanding of early modern humans in central Europe.

Jirí Svoboda is Professor at the University of Brno and Director of the Institute of Archaeology, Dolni Vestonice, Academy of Science of the Czech Republic.

Ofer Bar-Yosef is MacCurdy Professor of Prehistoric Archaeology, Harvard University.

Last updated on 01/10/2022

Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon

Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon

Abstract:

Peabody Museum Papers Volume 20, no. 1
Last updated on 01/10/2022

Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon

Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon

Abstract:

Peabody Museum Papers Volume 20, no. 1
Last updated on 01/10/2022

Series

Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras

Citation:

David Stuart and Ian Graham. 3/3/2004. Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras

Abstract:

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

The first of five anticipated volumes on the renowned monuments of Piedras Negras, Guatemala, this volume describes the site and the history of exploration at this important center of Classic Maya civilization. It includes photographs and detailed line drawings of twelve of the inscribed sculpted monuments at Piedras Negras, as well as a map of the ruins.

Last updated on 05/24/2022

Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina

Citation:

Ian Graham. 11/15/2006. Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina

Abstract:

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

Last updated on 05/24/2022
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Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan

Citation:

Clemency Chase Coggins. 10/14/1992. Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan, Pp. 408. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan

Abstract:

Introduction by Gordon R. Willey
Appendixes by April K. Sievert and Fred Trembour

In this abundantly illustrated third and final volume on the artifacts found by Edward H. Thompson in the Well of Sacrifice, specialists analyze the great variety of objects and debate whether they represent evidence of dateable prehistorical ritual. The collection includes the rare remains of hundreds of textiles, wooden objects, and copal incense offerings that were preserved in the waters of this limestone sinkhole, as well as the lithics, ceramics and bone and shell artifacts commonly found in Maya burials and caches and about 250 mammalian remains. These objects are remarkable for having been cut, torn, broken, and burned before they were thrown into the green waters of the sacred well at Chichen Itza.

Last updated on 01/10/2022

Cave of Loltun, Yucatan: Report of Explorations by the Museum, 1888–89 and 1890–91

Citation:

Edward H. Thompson. 1897. Cave of Loltun, Yucatan: Report of Explorations by the Museum, 1888–89 and 1890–91, Pp. 44. Cambridge, Massachusetts: Peabody Museum Press. READ ONLINE
Cave of Loltun, Yucatan: Report of Explorations by the Museum, 1888–89 and 1890–91

Abstract:

Peabody Museum Memoirs Volume 1, no. 2
Last updated on 01/03/2022

The Neville Site: 8,000 Years at Amoskeag, Manchester, New Hampshire

Citation:

Dena Ferran Dincauze. 9/15/2005. The Neville Site: 8,000 Years at Amoskeag, Manchester, New Hampshire, Pp. 160. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOK
The Neville Site: 8,000 Years at Amoskeag, Manchester, New Hampshire

Abstract:

The 1968 excavation of the Neville Site in Manchester, New Hampshire, was a major event in the archaeological history of New England. Analysis of the site extended the known duration of continuous occupation in the region by some 3,000 years and demonstrated early connections between the New England area and the Southeast. The Neville Site was first occupied nearly 8,000 years ago, when the Eastern coastal plain from North Carolina to New Hampshire was essentially a single cultural province. Current excavations in Manchester have reinvigorated interest in the archaeology of New Hampshire and created a demand for this facsimile edition of the original 1976 publication.

Last updated on 01/13/2022
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