@book {1518736, title = {Manifest: Thirteen Colonies}, year = {2024}, pages = {298}, publisher = {Radius Books and Peabody Museum Press}, organization = {Radius Books and Peabody Museum Press}, address = {Santa Fe, New Mexico}, abstract = {

Manifest | Thirteen Colonies is a photographic project and journey through the repositories of African American material culture found in libraries, museums, and archives of the original thirteen English colonies and Washington, DC. Conceived by photographer Wendel A. White, this project is a personal reliquary of the remarkable evidence of Black agency and racial oppression stored in public collections. Accompanying his imagery, White discusses his approach to finding, selecting, and photographing artifacts{\textemdash}from rare singular objects to more quotidian materials{\textemdash}and highlights their significance as forensic evidence of Black life and history in the United States.\ 

Manifest: Thirteen Colonies will be open to the public at the Peabody Museum of Archaeology \& Ethnology, Harvard University from May 18, 2024-April 13, 2025.

Wendel A. White (b. 1956, Newark, NJ) is currently Distinguished Professor of Art at Stockton University and has taught photography at the School of Visual Arts; The Cooper Union for the Advancement of Science and Art; the International Center of Photography; and the Rochester Institute of Technology. His work has received various awards and fellowships, including: Doctor of Arts (hc), Oakland University; Robert Gardner Fellow in Photography, Peabody Museum of Archaeology \& Ethnology, Harvard University; John Simon Guggenheim Memorial Foundation Fellowship in Photography; Bunn Lectureship in Photography, Bradley University; three artist fellowships from the New Jersey State Council for the Arts; Graham Foundation for Advanced Studies in the Fine Arts; and New Works Photography Fellowship from En Foco Inc. His work is represented in museum and corporate collections, including the National Gallery of Art, Washington, DC; Mint Museum, Charlotte, NC; Museum of Fine Arts, Houston, TX; and Museum of Contemporary Photography, Chicago, IL; among many others.


\ }, url = {https://www.radiusbooks.org/all-books/p/wendel-a-white-manifest-thirteen-colonies}, author = {Wendel White} } @book {1493536, title = {Community Fire}, year = {2023}, pages = {192}, publisher = {Peabody Museum Press and Aperture}, organization = {Peabody Museum Press and Aperture}, address = {Cambridge, Massachusetts}, abstract = {In his project\ Community Fire, the photographer Zhang Xiao takes a local, hometown look at Shehuo (社火), a Chinese Spring Festival tradition celebrated in rural northern Chinese communities, including temple fairs, dragon dances, and storytelling. Shehuo{\textemdash}literally, {\textquotedblleft}community fire{\textquotedblright}{\textemdash}is devoted to the worship of land and fire, and boasts a history of many thousands of years. During the festival, people hold ceremonies, pray for the next year{\textquoteright}s good harvest, and confer blessings of peace and safety for all family members.\ 

However, what was once a heterogeneous cultural tradition with myriad regional variations has largely become a tourist-facing, consumption-oriented enterprise. In the early 2000s, Shehuo received an {\textquotedblleft}intangible cultural heritage{\textquotedblright} designation from the People{\textquoteright}s Republic of China, resulting in increased funding in exchange for greater government involvement. While transforming the practitioners{\textquoteright} relation to Shehuo, this change expresses itself most visually in the way Qing dynasty{\textendash}era costumes and props have been replaced with newer, cheaper products from online shopping websites. Zhang{\textquoteright}s photographs capture how these mass-produced substitutions have transformed the practice of Shehuo. Through a colorful and fantastical blend of portraiture and ephemera that documents the blurred edges between the everyday and the absurd,\ Community Fire\ is a dynamic visual exploration of one of China{\textquoteright}s oldest traditions.\ 

Copublished by Aperture and Peabody Museum Press}, url = {https://aperture.org/books/zhang-xiao-community-fire/}, author = {Zhang Xiao} } @book {1487651, title = {Zuni, Hopi, Copan: Early Anthropology at Harvard, 1890{\textendash}1893}, year = {2023}, pages = {360}, publisher = {Peabody Museum Press and Dumbarton Oaks Publications}, organization = {Peabody Museum Press and Dumbarton Oaks Publications}, address = {Cambridge, Massachusetts}, abstract = {

Zuni, Hopi, Copan: Early Anthropology at Harvard, 1890{\textendash}1893\ publishes one hundred letters from\ John Gundy Owens\ to Deborah Harker Stratton, currently held in the\ Peabody Museum of Archaeology and Ethnology\ at Harvard University. Owens was one of the first graduate students in anthropology at Harvard; his poignant letters to {\textquotedblleft}Miss Debbie{\textquotedblright} trace a budding relationship of affection in late Victorian America and offer vivid, highly entertaining accounts of his fieldwork at Zuni pueblo in New Mexico, Hopi mesa villages in Arizona, and the Maya site of Copan in Honduras.

Tragically, Owens died at age twenty-seven in Copan; Stratton never married and kept the letters until her own death, nearly fifty years later. Introductory essays by\ Curtis M. Hinsley,\ Louis A. Hieb, and\ Barbara W. Fash\ contextualize the annotated letters and shed new light on early anthropological training in the United States.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659154}, author = {John Gundy Owens}, editor = {Curtis M. Hinsley} } @book {1486411, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 4: Yaxchilan}, year = {2022}, pages = {108}, publisher = {Peabody Museum Press and Dumbarton Oaks Publications}, organization = {Peabody Museum Press and Dumbarton Oaks Publications}, address = {Cambridge, Massachusetts }, abstract = {

The goal of the\ Corpus of Maya Hieroglyphic Inscriptions\ is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. As monuments continue to be discovered, the CMHI series is ongoing and far from complete. It has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, in addition to assisting studies among Maya communities and scholars.

This folio-sized volume documents thirty stelae at Yaxchilan, a Classic Maya city located on the Usumacinta River in the state of Chiapas, Mexico. Precisely rendered line drawings and three-dimensional scans bring out details of the monuments that would otherwise be invisible to the naked eye. These illustrations are accompanied by descriptions of the stelae in English and Spanish.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658720}, author = {Barbara W. Fash and Alexandre Tokovinine and Ian Graham}, editor = {Barbara W. Fash} } @book {1418722, title = {Magdalena de Cao}, year = {2020}, pages = {472}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

During the early Colonial Period in the Americas, as an ancient way of life ended and the modern world began, indigenous peoples and European invaders confronted, resisted, and compromised with one another. Yet archaeological investigations of this complex era are rare.\ Magdalena de Cao\ is an exception: the first in-depth and heavily illustrated examination of what life was like at one culturally mixed town and church complex during the early Colonial Period in Peru.

The field research reported in this volume took place at the site of Magdalena de Cao Viejo, a town on the edge of the Pacific Ocean whose 150-year lifespan ran from the Late Renaissance to the Age of Enlightenment. For a decade, an interdisciplinary team of researchers conducted archaeological and historical research in Peru, Spain, and the United States. Their analysis of documentary sources and recovered artifacts{\textemdash}including metals, textiles, beads, and fragmentary paper documents{\textemdash}opens new doors to understanding daily life in Magdalena de Cao during a turbulent time. Touching on themes of colonialism, cultural hybridity, resistance, and assimilation,\ Magdalena de Cao\ provides a comprehensive overview of the project itself and a rich body of data that will be of interest to researchers for years to come.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873652162}, author = {Jeffrey Quilter} } @book {1403234, title = {Shooting Cameras for Peace / Disparando C{\'a}maras para la Paz}, year = {2020}, pages = {252}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Bronze Medal, 2021 IPPY Awards

Winner, 2021 John Collier Jr. Award

Honorable Mention, 2022 LASA\ Visual Culture Section Book Award

As a young Fulbright scholar in Bogot{\'a} determined to democratize the photographic gaze and bring new visions and voices to public debate about Colombia{\textquoteright}s armed conflict,\ Alexander L. Fattal\ founded Disparando C{\'a}maras para la Paz (Shooting Cameras for Peace). The project taught photography to young people in El Progreso, a neighborhood on the city{\textquoteright}s outskirts that was home to families displaced by violence in the countryside. Cameras in hand, the youth had a chance to record and reimagine their daily existence.

Shooting Cameras for Peace\ /\ Disparando C{\'a}maras para la Paz\ is a penetrating look at one of Latin America{\textquoteright}s most dynamic participatory media projects. The haunting and exuberant photographs made under its auspices testify to young people{\textquoteright}s will to play, to dream, and to survive. The images bear witness to the resilience and creativity of lives marked by a war that refuses to die.

With text in English and Spanish,\ Shooting Cameras for Peace\ /\ Disparando C{\'a}maras para la Paz\ makes vital contributions to studies of collaborative media, photographic activism, and peace and conflict in Colombia. Fattal{\textquoteright}s insightful text offers critical reflection on the genre of participatory photography and the structural challenges faced by similar media projects.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658713}, author = {Alexander L. Fattal} } @book {1419035, title = {The Breakout: The Origins of Civilization}, year = {2020}, pages = {152}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For much of the twentieth century, Mesopotamia was thought to he the singular "Cradle of Civilization;" and the agents of change that brought it about were thought to be demographic, ecological, and technological. Bronze Age Mesopotamian accomplishments were believed to have diffused outward, influencing the development of civilization in the rest of the world. Part of this Mesopocentric view was revised as archaeological evidence revealed that other unique civilizations had existed in both the Old and New Worlds, but the traditional Near Eastern pattern of development continued to serve as a model.

In the mid-1980s, however, Harvard{\textquoteright}s Kwang-chih Chang proposed in\ Symbols--a publication of Harvard{\textquoteright}s Peabody Museum and Department of Anthropology--that China{\textquoteright}s first civilization did not evolve according to the conventional Mesopotamian model and argued instead for a new paradigm for understanding the origins of civilization in ancient China and the New World.

In this collection of subsequent\ Symbols\ articles and other essays, Maya and Near Eastern studies specialists engage in a stimulating debate of Chang{\textquoteright}s thesis, also presented here.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659109}, author = {Martha Lamberg-Karlovsky} } @book {1398412, title = {To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes}, year = {2020}, pages = {488}, publisher = {Peabody Museum Press and Aperture}, organization = {Peabody Museum Press and Aperture}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Henry Louis Gates Jr.
Photographic Essay by Carrie Mae Weems

Bronze Medal, 2021 IPPY Awards (Photography)
Finalist, 2021 Arles Book Awards (Historical)

Visit our online resource on this publication for more information on this research project, access to online chapters, and more.

The Peabody Museum Press and Aperture are pleased to announce the new publication\ To Make Their Own Way in the World: The EnduringLegacy of the Zealy Daguerreotypes. The book is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty{\textemdash}men and women of African descent who were enslaved in South Carolina.

Made by photographer Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, the daguerreotypes were rediscovered at the Peabody Museum in 1976. Since that time, the images have drawn worldwide interest, provoking wide-ranging interpretation and raising critical questions about the history and conditions of slavery, racism, representation, and identity.

To Make Their Own Way in the World\ features essays by prominent scholars from the disciplines of history, anthropology, art history, and American studies. Together, they explore such topics as the identities and experiences of the seven people depicted in the daguerreotypes, the close relationship between photography and race in the nineteenth century, and visual narratives of slavery and its lasting effects. The authors also examine the ways contemporary artists have used the daguerreotypes to critique institutional racism in the twentieth and twenty-first centuries.

With over two hundred illustrations, including a portfolio of stunning new photographs by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent social and intellectual engagement. With strong resonance with the events shaping American lives today, this groundbreaking multidisciplinary volume is part of Harvard{\textquoteright}s ongoing efforts to grapple with the university{\textquoteright}s and the country{\textquoteright}s historical and enduring connections to slavery.

{\textquotedblleft}At this moment and in these divided states of America, perhaps more than at any time since their rediscovery in 1976,{\textquotedblright} Molly Rogers writes, {\textquotedblleft}the daguerreotypes of Jem, Alfred, Delia, Renty, George Fassena, Drana, and Jack command our attention, demanding that we look closely, listen intently, and speak out{\textemdash}however difficult this may be{\textemdash}giving voice to all that we have learned.{\textquotedblright}

About the Contributors

Ian Askew\ is an artist working in performance, theater, and\ music.\ Recent performance research includes SLAMDANCE, a solo concert on punk and Blackness, and\ A Story Project, a directing thesis on process and storytelling. Recent collaborations include assisting directing The Black Clown (The American Repertory Theater, Lincoln Center) and Perle Noire: Meditations for Jos{\'e}phine (The Met Museum) alongside director Zack Winokur. They are a\ 2019\ graduate of Harvard College where they co-founded the Harvard Black Playwrights Festival.\ 

Ilisa Barbash\ is curator of visual anthropology at Harvard{\textquoteright}s Peabody Museum of Archaeology and Ethnology. She co-directed the films\ In and Out of Africa\ (1992) and\ Sweetgrass\ (2009), which was nominated as best documentary film for the Independent Spirit Awards, Gotham Award, IDA Documentary Award, and Cinema Eye Awards and was selected for the U.S. State Department and the University of Southern California{\textquoteright}s 2012 American Documentary Showcase. She co-wrote\ Cross-Cultural Filmmaking:A Handbook for Making Documentary and Ethnographic Films and Video\ (1997) and co-edited\ The Cinema of Robert Gardner\ (2007). Barbash{\textquoteright}s book\ Where the Roads All End: Photography and Anthropology in the Kalahari\ (Peabody Museum Press, 2016) was the recipient of the Society for Visual Anthropology{\textquoteright}s 2017 John Collier Junior Award for visual excellence in the use of still photography.

Robin Bernstein\ is the Dillon Professor of American History and professor of African and African American Studies and of studies of Women, Gender, and Sexuality at Harvard University. She is the author of the multi-award-winning book\ Racial Innocence: Performing American Childhood from Slavery to Civil Rights\ (2011). Bernstein co-edits the book series\ Performance and American Cultures\ for New York University Press.

Keziah Clarke\ is a graduate of Harvard College, class of 2020, concentrating in History and Literature with a citation in Arabic.

Matthew Fox-Amato\ is assistant professor of History at the University of Idaho. He is the author of\ Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America\ (2019),\ which was a finalist for two awards:\ the\ Gilder Lehrman Lincoln Prize and the Association of American Publishers PROSE Award.\ He received a B.A. from Harvard and a Ph.D. in history, with a certificate in Visual Studies, from the University of Southern California.

Henry Louis Gates, Jr.,\ is the Alphonse Fletcher University Professor and director of the Hutchins Center for African and African American Research at Harvard University. An Emmy Award{\textendash}winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, Gates has authored or co-authored twenty-four books, including\ Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow\ (2019). Among his twenty-one documentary films are\ Black in Latin America\ (2011), The African Americans: Many Rivers to Cross\ (2013),\ Black America since MLK: And Still I Rise\ (2016),\ Africa{\textquoteright}s Great Civilizations\ (2017),\ Reconstruction: America after the Civil War\ (2019{\textendash}), and the popular genealogy series\ Finding Your Roots,\ now in its sixth season on PBS. The recipient of fifty-five honorary degrees, Gates was a member of the first class awarded {\textquotedblleft}genius grants{\textquotedblright} by the MacArthur Foundation in 1981, and in 1998 he became the first African American scholar to be awarded the National Humanities Medal.

Harlan Greene\ is currently Scholar in Residence at Addlestone Library at the College of Charleston, where he previously served as head of special collections, and as manager of reference and archival services at the college{\textquoteright}s Avery Research Center for African American History and Culture. He was previously archivist and assistant director of the South Carolina Historical Society and director of the North Carolina Preservation Consortium. He is a prize-winning novelist and the author of numerous books and articles on the culture and history of the South Carolina low country. Some of his works include\ Mr. Skylark: John Bennett and the Charleston Renaissance\ (2001);\ The Damned Don{\textquoteright}t Cry, They Just Disappear: The Life and Works of Harry Hervey\ (2017); and\ Slave Badges and the Slave Hire System of Charleston, South Carolina, 1783{\textendash}1865, with Harry S. Hutchins, Jr., and Brian E. Hutchins (2003).

Gregg Hecimovich\ is professor and chair of the Department of English at Furman University in Greenville, South Carolina. From 2014 to 2015, Hecimovich was a Sheila Biddle Ford Foundation Fellow at the W. E. B. Du Bois Institute at Harvard University. From 2015 to 2016, he served as the Josephus Daniels Fellow at the National Humanities Center in Research Triangle Park, North Carolina, and was a Public Scholar Fellow appointed by the National Endowment for the Humanities. The author of four books, including\ Puzzling the Reader: Riddles in Nineteenth-Century British Literature\ (2008), he is currently working on\ The Life and Times of Hannah Crafts: The True Story of the Bondwoman{\textquoteright}s Narrative\ and a separate monograph based on the material that appears in his chapter in this volume.

Evelyn Brooks Higginbotham\ is the Victor S. Thomas Professor of History and of African and African American Studies at Harvard University. A pioneering scholar in African American women{\textquoteright}s history, she is known for coining and theorizing the {\textquotedblleft}politics of respectability{\textquotedblright} in her prizewinning book\ Righteous Discontent: The Women{\textquoteright}s Movement in the Black Baptist Church 1880{\textendash}1920\ (1993), and she is co-editor, with Henry Louis Gates, Jr., of the\ African American National Biography\ (2013). Higginbotham thoroughly revised and rewrote the ninth edition of the classic African American history survey\ From Slavery to Freedom\ (2010), which was first published by John Hope Franklin in 1947. She has now authored the tenth edition for publication in 2020. The recipient of numerous awards and honors, she received the National Humanities Medal from President Barack Obama in 2015 for {\textquotedblleft}illuminating the African American journey.{\textquotedblright}

Christoph Irmscher\ teaches at Indiana University Bloomington, where he is Distinguished Professor of English and George F. Getz, Jr., Professor and Class of 1942 Professor in the Wells Scholars Program, which he also directs. Among his books are\ The Poetics of Natural History\ (1999; second edition, 2019), one of the earliest treatments of Agassiz{\textquoteright}s photographs;\ Longfellow Redux\ (2006);\ Louis Agassiz: Creator of American Science\ (2006);\ Max Eastman: A Life\ (2017);\ Stephen Spender, Poems Written Abroad\ (2019); and the forthcoming\ Love and Loss in Hollywood: Max Eastman, Florence Deshon, and Charlie Chaplin\ (co-written with Cooper Graham). Irmscher is also the editor of Louis Agassiz{\textquoteright}s\ Introduction to the Study of Natural History\ (2017).

Jonathan Karp\ is a Ph.D. candidate in the Department of American Studies at Harvard University.

Sarah Elizabeth Lewis\ is associate professor of History of Art and Architecture and of African and African American Studies at Harvard University. She is the guest editor of the landmark {\textquotedblleft}Vision \& Justice{\textquotedblright} issue of\ Aperture\ magazine, which received the 2017 Infinity Award for Critical Writing and Research from the International Center of Photography, and was the inaugural recipient of the Freedom Scholar Award from the Association for the Study of African American Life and History (ASALH) in 2019. Her research interests focus on representations of race in contemporary art and nineteenth- and early twentieth-century American culture and across the Black Atlantic world. She is the author of\ The Rise: Creativity, the Gift of Failure, and the Search for Mastery\ (2014) and is currently finishing a book on race and photography and the Caucasian War for Harvard University Press.

Eliza Blair Mantz\ graduated from Harvard College in 2018 with a degree in Theater, Dance, and Media and a secondary in African American Studies. They are now working as an actor and activist in Los Angeles.

William Henry Pruitt III\ is pursuing a Ph.D. in African and African American Studies with a primary field in English and a secondary in Women, Gender, and Sexuality at Harvard University. His research interests include twentieth- and twenty-first-century literature, performance, and Black radical thought in the United States.

Molly Rogers\ is a writer and independent scholar with interests in American history and the history and theory of photography. She is the author of\ Delia{\textquoteright}s Tears: Race, Science, and Photography in Nineteenth-Century America\ (2010), a history of the Peabody Museum{\textquoteright}s daguerreotypes of enslaved Africans and African Americans. In addition to her research and writing, Rogers is associate director of the Center for the Humanities at New York University.

Reggie St. Louis\ graduated from Harvard College in 2018 and is currently working to develop biomaterials for 3-D printing living human tissue.

Tanya Sheehan\ is the William R. Kenan, Jr., Professor of Art at Colby College and Director of Research at the Lunder Institute for American Art, Colby College Museum of Art. She has been a research associate at the Hutchins Center for African and African American Research at Harvard University since 2012 and the executive editor of the Smithsonian Institution{\textquoteright}s\ Archives of American Art Journal\ since 2015. Sheehan is the author of\ Doctored: The Medicine of Photography in Nineteenth-Century America\ (2011) and\ Study in Black and White: Photography, Race, Humor\ (2018). Her edited books include\ Photography, History, Difference\ (2014);\ Photography and Its Origins,\ co-edited with Andr{\'e}s Mario Zervig{\'o}n (2015);\ Grove Art Guide to Photography\ (2017); and\ Photography and Migration\ (2018). She is currently working on a book that examines medicine and modernism in art by African Americans.

Manisha Sinha\ is the Draper Chair in American History at the University of Connecticut. She is the author of\ The Counterrevolution of Slavery: Politics and Ideology in Antebellum South Carolina\ (2000) and the multiple-award-winning\ The Slave{\textquoteright}s Cause: A History of Abolition\ (2016), which was long-listed for the National Book Award for Non-Fiction. She is a contributing author of\ The Abolitionist Imagination\ (2012) and co-editor of the two-volume\ African American Mosaic: A Documentary History from the African Slave Trade to the Twenty-First Century\ (2004) and of\ Contested Democracy\ (2004). Sinha{\textquoteright}s research interests lie in United States history, especially the transnational histories of slavery, abolition, and feminism, as well as the history and legacy of the Civil War and Reconstruction.

John Stauffer\ is the Sumner R. and Marshall S. Kates Professor of English and of African and African American Studies at Harvard University. He is the author or editor of over twenty books and one hundred articles about antislavery and/or photography, including the bestsellers\ GIANTS: The Parallel Lives of Frederick Douglass and Abraham Lincoln\ (2008) and\ The State of Jones, with Sally Jenkins (2010). Stauffer{\textquoteright}s\ The Black Hearts of Men: Radical Abolitionists and the Transformation of Race\ (2002) was co-winner of the Frederick Douglass Book Prize and second-place winner of the Lincoln Prize.\ The Battle Hymn of the Republic: A Biography of the Song that Marches On\ (2013) and\ Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century{\textquoteright}s Most Photographed American, with Zoe Trodd and Celeste-Marie Bernier (2015), were Lincoln Prize finalists. He has served as a consultant on numerous exhibitions, documentaries, and feature films.

Carrie Mae Weems\ is an internationally renowned contemporary artist whose work resides in public and private collections around the world, including the Metropolitan Museum of Art; Museum of Fine Arts, Houston; Museum of Modern Art; Tate Modern; Whitney Museum of American Art; National Gallery of Canada; and Museum of Contemporary Art, Los Angeles. Her many publications include\ The Hampton Project\ (Aperture, 2001),\ The Louisiana Project\ (2005), and\ Kitchen Table Series\ (2016). Among her numerous awards and grants are the Prix de Rome, the National Endowment for the Arts grant, Herb Alpert Award in the Arts, Anonymous Was a Woman and the Tiffany awards, and a U.S. Department of State Medal of Arts. In 2013, Weems received the John D. and Catherine T. MacArthur Fellowship as well as the Congressional Black Caucus Foundation{\textquoteright}s Lifetime Achievement Award. She is represented by the Jack Shainman Gallery in New York City.

Deborah Willis\ is an artist, author, and curator and University Professor and chair of the Department of Photography \& Imaging at the Tisch School of the Arts at New York University. She is a MacArthur and a Guggenheim Fellow and was a Richard D. Cohen Fellow at Harvard{\textquoteright}s Hutchins Center for African and African American Research. Willis received the NAACP Image Award in 2014 for her co-authored book\ Envisioning Emancipation: Black Americans and the End of Slavery, with Barbara Krauthamer (2013), and in 2015 for the documentary\ Through a Lens Darkly, inspired by her book\ Reflections in Black: A History of Black Photographers, 1840 to the Present\ (2000). Other notable publications include\ The Black Female Body: A Photographic History, with Carla Williams (2002);\ Posing Beauty: African AmericanImages from the 1890s to the Present\ (2009);\ Michelle Obama: The First Lady in Photographs, with Emily Bernard (2009); and\ Black Venus 2010: They Called Her {\textquotedblleft}Hottentot{\textquotedblright}\ (2010).

John Wood\ received the 2009 Gold Deutscher Fotobuchpreis for his collection of poems\ Endurance and Suffering: Narratives of Disease in the 19th Century\ (2007) and was awarded the Iowa Poetry Prize of the University of Iowa Press twice, for\ In Primary Light\ (1993) and\ The Gates of the Elect Kingdom\ (1996). His\ Selected Poems 1968{\textendash}1998\ was published in 1999. He founded and directed McNeese University{\textquoteright}s M.F.A. program in creative writing and held professorships there in both English literature and photographic history. He was co-curator of the 1995 Smithsonian Institution/ National Museum of American Art exhibition\ Secrets of the Dark Chamber: The Art of the American Daguerreotype, and his book based on the exhibition was selected by the\ New York Times Book Review\ as one of the {\textquotedblleft}Best Books of 1995.{\textquotedblright} Wood is editor and co-founder of 21st Editions and co-editor of the German fine arts press Edition Galerie Vevais.

}, url = {https://aperture.org/books/coming-soon/to-make-their-own-way-in-the-world-the-enduring-legacy-of-the-zealy-daguerreotypes/?post_type=product\&p=15457/}, editor = {Ilisa Barbash and Molly Rogers and Deborah Willis} } @book {1419433, title = {Kebara Cave, Mt. Carmel, Israel, Part II: The Middle and Upper Paleolithic Archaeology}, year = {2019}, pages = {456}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The remains from Skhul, Qafzeh, Amud, and Kebara caves in Israel provide evidence for the possible contemporaneity and eventual replacement of several distinct hominin populations over time: early Archaic-Modern humans by Neanderthals, and Neanderthals by Modern humans. Kebara Cave, which dates to 65,000 to 48,000 years ago, is well known for its Neanderthal remains and marvelously preserved archaeological record. Dense concentrations of fireplaces and ash lenses and rich assemblages of stone tools, animal bones, and charred plant remains testify to repeated and intensive use of the cave by late Middle Paleolithic foragers.

This second and final volume of the Kebara Cave site report presents findings from nine years of excavation and analysis of the archaeology, paleontology, human remains, and lithic industries from the Middle and Upper Paleolithic periods. Its full documentation of the daily activities of the cave{\textquoteright}s Neanderthal inhabitants clearly indicates behavioral patterns generally attributed only to Modern humans. The two volumes on Kebara Cave provide a cornerstone for the story of humankind in a critical geographic region: the continental crossroads between Africa and Eurasia in the Levant.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655545}, editor = {Liliane Meignen Ofer Bar-Yosef} } @book {1421306, title = {Far \& Near: Selections from the Peabody Museum of Archaeology \& Ethnology}, year = {2019}, pages = {112}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

3rd place, 2019 NEMA Awards (Books)

Since its founding in 1886, the Peabody Museum of Archaeology and Ethnology at Harvard University has been collecting, caring for, exhibiting, and researching objects produced by human cultures around the world. This handsomely illustrated, highly portable volume presents a selection of more than 90 objects in honor of the museum{\textquoteright}s 150th anniversary in 2016{\textendash}2017. Dating from Paleolithic times to the present and originating from the Arctic Circle to South Pacific, these selections represent but a fraction of the 1.4 million pieces in the museum{\textquoteright}s collections. They range in character from the sacred to the profane, the utilitarian to the highly decorative, the deeply symbolic to the outrageously whimsical.

Chosen by the museum{\textquoteright}s curators and staff, the works presented in\ Far \& Near\ provide a tantalizing glimpse into the wonders of the collections of the Peabody Museum and reflect the skilled artistry of human hands and the endless creativity of the human mind.

}, author = {Pamela Gerardi} } @book {1399002, title = {Caspian: The Elements}, year = {2018}, pages = {216}, publisher = {Peabody Museum Press and Aperture}, organization = {Peabody Museum Press and Aperture}, address = {Cambridge, Massachusetts}, abstract = {

Caspian: The Elements\ is Chloe Dewe Mathews{\textquoteright}s record of five years spent roaming the borderlands of the Caspian Sea. In a resource-rich region roiled by contested geopolitics, Dewe Mathews found that elemental materials like oil, rock, and uranium are central to the mystical, practical, artistic, religious, and therapeutic aspects of daily life. With essays by Morad Montazami, Sean O{\textquoteright}Hagan, and Arnold van Bruggen,\ Caspian: The Elements\ offers a series of powerful visual narratives that explore the deep links between the peoples of the Caspian and their enigmatic and coveted landscapes.

}, url = {https://aperture.org/books/chloe-dewe-mathews-caspian-the-elements/}, author = {Chloe Dewe Mathews and Morad Montazami and Sean O{\textquoteright}Hagan and Arnold van Bruggen} } @book {1418739, title = {Still Points}, year = {2018}, pages = {112}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Still Points\ is a collection of remarkable and evocative still photographs taken by award-winning nonfiction filmmaker and author\ Robert Gardner\ during his anthropological and filming expeditions around the world. Thousands of his original photographic transparencies and negatives from the Kalahari Desert, New Guinea, Colombia, India, Ethiopia, Niger, and other remote locations are now housed in the Photographic Archives of Harvard{\textquoteright}s Peabody Museum of Archaeology and Ethnology. This elegantly produced volume presents a curated selection of more than 70 color and black-and-white images made by Gardner between the 1950s and the 1980s. Edited by\ Adele Pressman, Gardner{\textquoteright}s wife and literary executor, and with a foreword by\ Eliot Weinberger,\ Still Points\ both honors an important and influential artist and reveals new dimensions in his work.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658706}, author = {Robert Gardner} } @book {1420061, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 10: Part 1: Cotzumalhuapa}, year = {2018}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658683}, author = {Oswaldo Chinchilla Mazariegos}, editor = {Barbara Fash} } @book {1437064, title = {Where the Roads All End}, year = {2017}, pages = {302}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Photography and Anthropology in the Kalahari

Where the Roads All End\ tells the remarkable story of an American family{\textquoteright}s eight anthropological expeditions to the remote Kalahari Desert in South-West Africa (Namibia) during the 1950s. Raytheon co-founder Laurence Marshall, his wife Lorna, and children John and Elizabeth recorded the lives of some of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important ventures in the anthropology of Africa. Largely self-taught as ethnographers, the family supplemented their research with motion picture film and still photography to create an unparalleled archive that documents the Ju/{\textquoteright}hoansi and the /Gwi just as they were being settled by the government onto a {\textquotedblleft}Bushman Preserve.{\textquotedblright} The Marshalls{\textquoteright} films and publications popularized a strong counternarrative to existing negative stereotypes of the {\textquotedblleft}Bushman{\textquotedblright} and revitalized academic studies of these southern African hunter-gatherers.

This vivid and multilayered account of a unique family enterprise focuses on 25,000 still photographs in the archives of Harvard{\textquoteright}s Peabody Museum of Archaeology and Ethnology. Illustrated with over 300 images,\ Where the Roads All End\ reflects on the enduring ethnographic record established by the Marshalls and the influential pathways they charted in anthropological fieldwork, visual anthropology, ethnographic film, and documentary photography.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654098}, author = {Ilisa Barbash} } @book {1418743, title = {The Resolution of the Suspect}, year = {2016}, pages = {216}, publisher = {Peabody Museum Press and Radius Books}, organization = {Peabody Museum Press and Radius Books}, address = {Cambridge, Massachusetts}, abstract = {

First Place, 2017 New England Book Show (General Trade, Illustrated)

First Place, 2017 NEMA Awards (Books)

Miki Kratsman has worked as a photojournalist in the Palestinian Occupied Territories for over three decades. Originally created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observer{\textquoteright}s gaze under conditions of occupation.

Kratsman{\textquoteright}s photographs look at both {\textquotedblleft}wanted men{\textquotedblright}{\textemdash}individuals sought by the Israeli state{\textemdash}and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a {\textquotedblleft}suspect.{\textquotedblright} The work is both transgressive and banal, crossing\ boundaries between Israel and Palestine, {\textquotedblleft}wanted{\textquotedblright} and {\textquotedblleft}innocent,{\textquotedblright} street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their {\textquotedblleft}fate.{\textquotedblright} His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death.

A thought-provoking text by Ariella Azoulay engages intimately with Kratsman{\textquoteright}s images. Looking at various models of historical and civil construction of the gaze, Azoulay explores the ways in which the shadow of death is an actual threat that hovers over Kratsman{\textquoteright}s photographed persons and frames both individuals and the borrowed time within which they exist.

A supplemental booklet contains hundreds of portraits and evocative messages from Kratsman{\textquoteright}s\ Facebook proj

}, url = {https://www.radiusbooks.org/all-books/p/miki-kratsman-ariella-azoulay-the-resolution-of-the-suspect}, author = {Miki Kratsman \& Ariella Azoulay} } @book {1418747, title = {NEPAL: 1975{\textendash}2011}, year = {2014}, pages = {224}, publisher = {Peabody Museum Press and Radius Books}, organization = {Peabody Museum Press and Radius Books}, address = {Cambridge, Massachusetts}, abstract = {

Preface by Robert Gardner

Essay by Charles Ramble

Third Place, 2015 New England Book Show (Cover)

Photographer Kevin Bubriski has been visually documenting the country and people of Nepal since his first visit in 1975. Sent as a young Peace Corps volunteer to the northwest Karnali Zone, the country{\textquoteright}s remotest and most economically depressed region, he spent three years walking the length and breadth of the Karnali, planning and overseeing construction of gravity flow drinking water pipelines. He also photographed the local villagers, producing an extraordinary series of 35mm and large format black-and-white images. For nearly four decades, Bubriski has maintained his close association with Nepal and its people. Both visual anthropology and cultural history, this remarkable body of photographic work documents Nepal{\textquoteright}s evolution from a traditional Himalayan kingdom to a rapidly changing, globalized society.\ Nepal: 1975{\textendash}2011\ also offers an incisive and comprehensive look at the aesthetic evolution of an important contemporary photographer.

Kevin Bubriski is Assistant Professor of Photography at Green Mountain College in Poultney, Vermont, and was the 2010 recipient of the\ Robert Gardner Visiting Artist Fellowship\ at the Peabody Museum of Archaeology and Ethnology at Harvard University.

Co-published with Radius Books.

}, url = {https://www.radiusbooks.org/all-books/p/kevin-bubriski-nepal-19752011}, author = {Kevin Bubriski} } @book {1421303, title = {A Lakota War Book from the Little Big Horn: The Pictographic "Autobiography of Half Moon"}, year = {2013}, pages = {368}, publisher = {Peabody Museum Press and Houghton Library}, organization = {Peabody Museum Press and Houghton Library}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Chief Joseph Brings Plenty, Cheyenne River Sioux

Houghton Library Studies 4

Winner, Bookbuilders of Boston/New England Book Show (General Trade, Illustrated)

First Place, NEMA Awards (Books \>$500k)

"Transformative."\ {\textemdash}Candace Greene

The composite nineteenth-century document known as "The Pictorial Autobiography of Half Moon, an Uncpapa Sioux Chief" has at its core seventy-seven drawings made by Lakota warriors of the northern Plains. Found in a funerary tipi on the Little Bighorn battlefield after Custer{\textquoteright}s defeat in 1876, the drawings are from a captured ledger book that was later acquired by Chicago journalist James "Phocion" Howard. Howard added an illustrated introduction and leather binding and presented the document as the autobiographical work of a "chief" named Half Moon.

Anthropologist Castle McLaughlin probes the complex life history and cultural significance of the ledger and demonstrates that the dramatic drawings, mostly of war exploits, were created by at least six different warrior-artists. Examining how allied Lakota and Cheyenne warriors understood their graphic records of warfare as objects as well as images, McLaughlin introduces the concept of "war books"{\textemdash}documents that were captured and modified by Native warriors in order to appropriate the power of Euroamerican literacy. Together, the vivid first-person depictions in the ledger{\textemdash}now in the collection of Harvard{\textquoteright}s Houghton Library{\textemdash}make up a rare Native American record of historic events that likely occurred between 1866 and 1868 during Red Cloud{\textquoteright}s War along the Bozeman Trail.

A complete color facsimile of the Houghton ledger is reproduced in this ground-breaking volume.

Castle McLaughlin is Peabody Museum Curator of North American Ethnology.

"McLaughlin{\textquoteright}s latest publication brings readers into the\ world of the real Crazy Horse. {\textellipsis} As McLaughlin explains, these [ledger] drawings are as rich and\ informative as any Euro-American literary text"

{\textemdash}Henry Adams, Ruth Coulter Heede\ Professor of Art History at Case Western Reserve University,\ The Conversation

\>\> read the full review\ 

"...completely engrossing."{\textemdash}David Wilk,\ WritersCast: The Voice of Writing

\>\> read the full review and\ listen to an interview with Castle McLaughlin

Please request signed copies when ordering by email.

Copublished by Peabody Museum Press and Houghton Library

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780981885865}, author = {Castle McLaughlin} } @book {1418748, title = {Stephen Dupont: Piksa Niugini Portraits and Diaries}, year = {2013}, pages = {216}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Robert Gardner
Essay by Bob Connolly

"Best Books 2013...The attraction of Dupont{\textquoteright}s books is that his photographs exhibit enormous passion and enthusiasm and are an effort to unlock the nature of the relationship between photographer and subject."
{\textemdash}THE Magazine

This publication records acclaimed Australian photographer Stephen Dupont{\textquoteright}s journey through some of Papua New Guinea{\textquoteright}s (PNG) most important cultural and historical zones: the Highlands, Sepik, Bougainville, and the capital city of Port Moresby. Through images and personal diaries, Dupont{\textquoteright}s remarkable body of work captures the human spirit of the people of PNG in their transition from tribalism to globalization. The project was conducted in 2011 with the support of the\ Robert Gardner Fellowship in Photography\ given by Harvard{\textquoteright}s Peabody Museum of Archaeology \& Ethnology.

Piksa Niugini\ consists of two hardcover books inside a special slipcase. The first volume is a collection of portraits in luscious duotone and 4-color reproduction; the second is a vibrant collection of the diaries, drawings, contact sheets, and documentary photographs that chronicle Dupont{\textquoteright}s experience and working process and richly contextualize the more formal images in volume one.\ An\ exhibition\ of Dupont{\textquoteright}s New Guinea photographs is on display at the Peabody through September 2, 2013.

Dupont{\textquoteright}s photographs have received international acclaim for their artistic integrity and valuable insight into peoples, cultures, and communities that are under threat or in the process of rapid change. The photographer{\textquoteright}s many awards include a Robert Capa Gold Medal citation from the Overseas Press Club of America, a Bayeux War Correspondent{\textquoteright}s Prize, and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007 Dupont was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan. His work has been featured in\ The New Yorker, Aperture, Newsweek, GQ, French and German GEO, Le Figaro, Liberation, The Sunday Times Magazine, The New York Times Magazine, Stern, Time, and\ Vanity Fair.

}, url = {https://www.radiusbooks.org/all-books/p/stephen-dupont-piksa-niugini-portraits-and-diaries}, author = {Stephon Dupont} } @book {1419042, title = {Anthropology at Harvard: A Biographical History, 1790{\textendash}1940}, year = {2013}, pages = {602}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

"A monumental achievement"{\textemdash}American Journal of Physical Anthropology

Anthropology at Harvard recounts the rich and complex history of anthropology at America{\textquoteright}s oldest university, beginning with the earliest precursors of the discipline within the study of natural history. The story unfolds through fascinating vignettes about the many individuals{\textemdash}famous and obscure alike{\textemdash}who helped shape the discipline at Harvard College and the Peabody Museum. Lively anecdotes provide in-depth portraits of dozens of key individuals, including Louis and Alexander Agassiz, Frederic Ward Putnam, Mary Hemenway, Alice Cunningham Fletcher, Sylvanus Morley, A. V. Kidder, and Antonio Apache. The text also throws new light on longstanding puzzles and debates, such as Franz Boas{\textquoteright}s censure by the American Anthropological Association and the involvement of Harvard archaeologists in espionage work for the U.S. government during World War I.

The authors take a {\textquotedblleft}cohort{\textquotedblright} perspective, looking beyond the big names to the larger network of colleagues that formed the dynamic backdrop to the development of ideas. The significant contributions of amateurs and private funders to the early growth of the field are highlighted, as is the active participation of women and of students and scholars of diverse ethnic backgrounds. A monumental achievement,\ Anthropology at Harvard\ makes an important contribution to the history of Americanist anthropology.

"Overall,\ Anthropology at Harvard\ provides a comprehensive view of the East Coast development of the discipline and handles a prodigious amount of data remarkably well."{\textemdash}Donald McVicker,\ Isis\ \>\> read the full review

"Anthropology at Harvard\ will serve as an important, though limited, work of reference for historians of archaeology and anthropology."{\textemdash}Vincent Crapanzano, "Natives,"\ The Times Literary Supplement\ \>\> read the full review

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659130}, author = {David L. Browman and Stephen Williams} } @book {1419007, title = {Hunters, Carvers \& Collectors: The Chauncey C. Nash Collection of Inuit Art}, year = {2012}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {In the late 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was being introduced in Kinngait (Cape Dorset), an Inuit community on Baffin Island in the Canadian territory of Nunavut. Nash donated some 300 prints and sculptures to Harvard{\textquoteright}s Peabody Museum{\textemdash}one of the oldest collections of early modern Inuit art. The Peabody collection includes not only early Inuit sculpture but also many of the earliest prints on paper made by the women and men who helped propel Inuit art onto the world stage.

Author Maija M. Lutz draws from ethnology, archaeology, art history, and cultural studies to tell the story of a little-known collection that represents one of the most vibrant and experimental periods in the development of contemporary Inuit art. Lavishly illustrated,\ Hunters, Carvers, and Collectors\ presents numerous never-before-published gems, including carvings by the artists John Kavik, Johnniebo Ashevak, and Peter Qumalu POV Assappa. This latest contribution to the award-winning Peabody Museum Collections Series fills an important gap in the literature of Native American art.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654074}, author = {Maija M. Lutz} } @book {1437063, title = {The Copan Sculpture Museum}, year = {2011}, pages = {216}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, MA}, abstract = {

Ancient Maya Artistry in Stucco and Stone

The Copan Sculpture Museum in western Honduras features the extraordinary stone carvings of the ancient Maya city known as Copan. The city{\textquoteright}s sculptors produced some of the finest and most animated buildings and temples in the Maya area, in addition to stunning monolithic statues and altars. The ruins of Copan were named a UNESCO World Heritage site in 1980, and more than 150,000 national and international tourists visit the ancient city each year.

Opened in 1996, the Copan Sculpture Museum was initiated as an international collaboration to preserve Copan{\textquoteright}s original stone monuments. Its exhibits represent the best-known examples of building fa{\c c}ades and sculptural achievements from the ancient kingdom of Copan. The creation of this on-site museum involved people from all walks of life: archaeologists, artists, architects, and local craftspeople. Today it fosters cultural understanding and promotes Hondurans{\textquoteright} identity with the past.

In\ The Copan Sculpture Museum,\ Barbara Fash{\textemdash}one of the principle creators of the museum{\textemdash}tells the inside story of conceiving, designing, and building a local museum with global significance. Along with numerous illustrations and detailed archaeological context for each exhibit in the museum, the book provides a comprehensive introduction to the history and culture of the ancient Maya and a model for working with local communities to preserve cultural heritage.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658584}, author = {Barbara W. Fash} } @book {1418741, title = {House of Love}, year = {2011}, pages = {198}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

by\ Dayanita Singh

Finalist, 2012 New England Book Show (Pictorial)

House of Love\ is a work of photo fiction by Dayanita Singh. Working closely with the writer, Aveek Sen, whose prose follows a journey of its own, Singh explores the relationships among photography, memory, and writing. House of Love, designed to blur the lines between an art book of photographic images and a work of literary fiction, is a book whose images demand to be read, not just seen, and whose texts create their own sensory worlds. The combination creates a new vocabulary for the visual book.

The {\textquotedblleft}House of Love{\textquotedblright} itself is the Taj Mahal, but the Taj Mahal is a recurring motif that stands for a range of meanings {\textemdash} meanings made up of the truths and lies of night and day, love and illusion, attachment and detachment. Through images of cities both visible and invisible, of people real and surreal, Singh creates her own mysterious and ineffable, strange yet familiar language, using her trademark black-and-white photography and her newer nocturnal color work.

Dayanita Singh\ was born in New Delhi in 1961. She studied at the National Institute of Design in Ahmedabad and later concentrated on photojournalism and documentary photography at the International Center of Photography in New York. Her photos have been exhibited many times, most recently at the Venice Biennale 2011. Singh{\textquoteright}s books include,\ Myself Mona Ahmed, Privacy, Go Away Closer,\ Sent a Letter, Blue book, Dream Villa\ and\ Dayanita Singh. She lives in New Delhi.

Aveek Sen\ is a senior assistant editor (editorial pages) of\ The Telegraph, Calcutta, where he has written extensively on photography. He was a Rhodes Scholar at University College, Oxford, where he studied English literature, before going on to teach English at St Hilda{\textquoteright}s College, Oxford. He is the winner of the 2009 International Center for Photography Infinity Award for Writing on Photography.

}, url = {https://radiusbooks.org/all-books/p/dayanita-singh-house-of-love}, author = {Dayanita Singh} } @book {1419011, title = {The Moche of Ancient Peru: Media and Messages}, year = {2011}, pages = {172}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peru{\textquoteright}s ancient Moche culture is represented in a magnificent collection of artifacts at Harvard{\textquoteright}s\ Peabody Museum. In this richly illustrated volume,\ Jeffrey Quilter\ presents a fascinating introduction to this intriguing culture and explores current thinking about Moche politics, history, society, and religion.

Quilter utilizes the Peabody{\textquoteright}s collection as a means to investigate how the Moche used various media, particularly ceramics, to convey messages about their lives and beliefs. His presentation provides a critical examination and rethinking of many of the commonly held interpretations of Moche artifacts and their imagery, raising important issues of art production and its role in ancient and modern societies.

The most up-to-date monograph available on the Moche{\textemdash}and the first extensive discussion of the Peabody Museum{\textquoteright}s collection of Moche ceramics{\textemdash}this volume provides an introduction for the general reader and contributes to ongoing scholarly discussions. Quilter{\textquoteright}s fresh reading of Moche visual imagery raises new questions about the art and culture of ancient Peru.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654067}, author = {Jeffrey Quilter} } @book {1418749, title = {Sacred Spaces: A Journey with the Sufis of the Indus}, year = {2010}, pages = {296}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Winner, 2009 New England Book Show (General Trade, Illustrated)

Silver Medal, 2010 IPPY Awards (Multicultural Non-Fiction Adult)

Silver Medal,\ 2010 IPPY Awards (Religion \& Multi-Cultural)

Bronze Medal, 2009 Foreword Magazine Awards (Religion)

With essays by\ Ali S. Asani,\ Carl W. Ernst, and\ Kamil Khan Mumtaz

Sufism, the mystical path of Islam, is a key feature of the complex Islamic culture of South Asia today. Influenced by philosophies and traditions from other Muslim lands and by pre-Islamic rites and practices, Sufism offers a corrective to the image of Islam as monolithic and uniform.

In\ Sacred Spaces, Pakistani artist and educator\ Samina Quraeshi\ provides a locally inflected vision of Islam in South Asia that is enriched by art and by a female perspective on the diversity of Islamic expressions of faith. A unique account of a journey through the author{\textquoteright}s childhood homeland in search of the wisdom of the Sufis, the book reveals the deeply spiritual nature of major centers of Sufism in the central and northwestern heartlands of South Asia. Illuminating essays by\ Ali S. Asani,\ Carl W. Ernst, and\ Kamil Khan Mumtaz\ provide context to the journey, discussing aspects of Sufi music and dance, the role of Sufism in current South Asian culture and politics, and the spiritual geometry of Sufi architecture.

Quraeshi relies on memory, storytelling, and image making to create an imaginative personal history using a rich body of photographs and works of art to reflect the seeking heart of the Sufi way and to demonstrate the diversity of this global religion. Her vision builds on the centuries-old Sufi tradition of mystical messages of love, freedom, and tolerance that continue to offer the promise of building cultural and spiritual bridges between peoples of different faiths.

Samina Quraeshi\ is Gardner Fellow and Visiting Artist,\ Peabody Museum, Harvard University.

Ali S. Asani\ is Professor of Indo-Muslim and Islamic Religion and Cultures and Director of the Prince Alwaleed bin Talal Islamic Studies Program, with a joint appointment in the Committee on the Study of Religion and the Departments of Near Eastern Languages and Civilizations; Sanskrit and Indian Studies; and African and African-American Studies, at\ Harvard University.

Carl W. Ernst\ is William R. Kenan, Jr., Distinguished Professor of Religious Studies at the\ University of North Carolina at Chapel Hill.

Kamil Khan Mumtaz\ is an architect living in Pakistan.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658591}, author = {Samina Quraeshi} } @book {1421308, title = {Human Documents: Eight Photographers}, year = {2009}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Edited by Charles Warren
Photographs by\ Michael Rockefeller, Adelaide de Menil, Kevin Bubriski, Christopher James, Jane Tuckerman, Susan Meiselas, and Alex Webb

Winner, 2009 New England Book Show (General Trade, Book and Cover)

First Place, 2010 NEMA Awards (Books Over $10)

Silver Medal, 2010 IPPY Awards (Photo)

Finalist, 2010 Ben Franklin Awards (Arts)

Finalist, 2009 Foreword Magazine Awards (Photo)

In\ Human Documents,\ Robert Gardner\ introduces the work of photographers with whom he has worked over a period of nearly fifty years under the auspices of the\ Film Study Center at Harvard. Their images achieve the status of what Gardner calls {\textquotedblleft}human documents{\textquotedblright}: visual evidence that testifies to our shared humanity. In images and words, the book adds to the already significant literature on photography and filmmaking as ways to gather both fact and insight into the human condition. In nearly 100 images spanning geographies and cultures including India, New Guinea, Ethiopia, and the United States,\ Human Documents\ demonstrates the important role photography can play in furthering our understanding of human nature and connecting people through an almost universal visual language.

Author and cultural critic\ Eliot Weinberger\ contributes the essay {\textquotedblleft}Photography and Anthropology (A Contact Sheet),{\textquotedblright} in which he provides a new and intriguing context for viewing and thinking about the images presented here.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658577}, author = {Robert Gardner}, editor = {Charles Warren} } @book {1418750, title = {Avenue Patrice Lumumba}, year = {2009}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Robert Gardner

{\textquotedblleft}Guy Tillim {\textellipsis} combines a profound sense of historic documentation of African countries ravaged by conflicts and tragedies of all kinds and a very stringent formal aesthetic devoid of all mannerism.{\textquotedblright}{\textquoteright}
{\textemdash}Michket Krifa

As the first recipient of the Robert Gardner Fellowship in Photography at the Peabody Museum, Guy Tillim traveled through Angola, Mozambique, Congo, and Madagascar, documenting the grand colonial architecture and how it has become part of a contemporary African stage. His photographs reveal the decay and detritus of colonialism in Western and Southern Africa and convey an acute sense of humanity.

Tillim is an award-winning photographer from South Africa. His photographic documentation of social conflict and inequality in the countries of Africa has been exhibited in more than a dozen countries and widely published.


Co-published with Prestel Verlag.\ 

}, author = {Guy Tillim} } @book {1419013, title = {Artistry of the Everyday: Beauty and Craftsmanship in Berber Art}, year = {2008}, pages = {125}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Susan Gilson Miller

Photographs by Hillel S. Burger \& Mark Craig

Artistry of the Everyday\ presents the\ Peabody Museum{\textquoteright}s collection of arts from the Berber-speaking regions of North Africa. The book gives an overview of Berber history and culture, focusing on the rich aesthetic traditions of Amazigh (Berber) craftsmen and women. From ancient times to the present day, working with limited materials but an extensive vocabulary of symbols and motifs, Imazighen (Berbers) across North Africa have created objects that are both beautiful and practical. Intricately woven textiles, incised metal locks and keys, painted pottery and richly embroidered leather bags are just a few examples of objects from the Peabody Museum{\textquoteright}s collections that are highlighted in the color plates. The book also tells the stories of the collectors{\textemdash}both world-traveling Bostonians and Harvard-trained anthropologists{\textemdash}who brought these objects from Morocco or Algeria to their present home in Cambridge in the early twentieth century. The generosity of these donors has resulted in a collection of Berber arts, especially from the Tuareg regions of southern Algeria, that rivals that of major European and North African museums.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654050}, author = {Lisa Bernasek} } @book {1419044, title = {Remembering Awatovi: The Story of an Archaeological Expedition in Northern Arizona, 1935-1939}, year = {2008}, pages = {240}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Winner, 2008 New England Book Show (General Trade, Cover)

Gold Medal, 2009 IPPY Awards (West Mountain - Best Regional Non-Fiction)

Remembering Awatovi\ is the engaging story of a major archaeological expedition on the Hopi Reservation in northern Arizona. Centered on the large Pueblo village of Awatovi, with its Spanish mission church and beautiful kiva murals, the excavations are renowned not only for the data they uncovered but also for the interdisciplinary nature of the investigations. In archaeological lore they are also remembered for the diverse, fun-loving, and distinguished cast of characters who participated in or visited the dig.

Hester Davis{\textquoteright}s lively account{\textemdash}part history of archaeology, part social history{\textemdash}is told largely in the words of the participants, among whom were two of Davis{\textquoteright}s siblings, artist Penny Davis Worman and archaeologist Mott Davis. Life in the remote field camp abounded with delightful storytelling, delicious food, and good-natured high-jinks. Baths were taken in a stock tank, beloved camp automobiles were given personal names, and a double bed had to be trucked across the desert and up a mesa to celebrate a memorable wedding.

Remembering Awatovi\ is illustrated with over 160 portraits and photographs of camp life. Essays by\ Eric Polingyouma\ and\ Brian Fagan\ enrich the presentation.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659116}, author = {Hester A. Davis} } @book {1419683, title = {Kebara Cave, Mt. Carmel, Israel, Part I: The Middle and Upper Paleolithic Archaeology}, year = {2008}, pages = {352}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The Levantine corridor sits at the continental crossroads of Africa and Eurasia, making it a focal point for scientific inquiry into the emergence of modern humans and their relations with Neanderthals. The recent excavations at Kebara Cave in Israel, undertaken by an international, interdisciplinary team of researchers, has provided data crucial for understanding the cognitive and behavioral differences between archaic and modern humans.

In this first of two volumes, the authors discuss site formation processes, subsistence strategies, land-use patterns, and intrasite organization. Hearths and faunal remains reveal a dynamic and changing settlement system during the late Mousterian period, when Kebara Cave served as a major encampment. The research at Kebara Cave allows archaeologists to document the variability observed in settlement, subsistence, and technological strategies of the Late Middle and early Upper Paleolithic periods in the Levant.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655538}, author = {Liliane Meignen}, editor = {Ofer Bar-Yosef} } @book {1421309, title = {Making Dead Birds: Chronicle of a Film}, year = {2008}, pages = {160}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Honorable Mention, 2008\ NEMA Awards (Books Over $10)

Robert Gardner{\textquoteright}s classic\ Dead Birds\ is one of the most highly acclaimed and controversial documentary films ever made. This detailed and candid account of the process of making\ Dead Birds, from the birth of the idea through filming in New Guinea to editing and releasing the finished film, is more than the chronicle of a single work. It is also a thoughtful examination of what it meant to record the moving and violent rituals of warrior-farmers in the New Guinea highlands and to present to the world a graphic story of their behavior as a window onto our own. Letters, journals, telegrams, newspaper clippings, and over 50 images are assembled to recreate a vivid chronology of events.\ Making\ Dead Birds\ not only addresses the art and practice of filmmaking, but also explores issues of representation and the discovery of meaning in human lives.

Gardner led a remarkable cast of participants on the 1961 expedition. All brought back extraordinary bodies of work. Probably most influential of all was\ Dead Birds, which marked a sea change in nonfiction filmmaking. This book takes the reader inside the creative process of making that landmark film and offers a revealing look into the heart and mind of one of the great filmmakers of our time.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658232}, author = {Robert Gardner} } @book {1419684, title = {Holon: A Lower Paleolithic Site in Israel}, year = {2008}, pages = {214}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Excavations at the open-air site of Holon, Israel, have provided a unique perspective on hominin behavior, technology, and subsistence strategies in the Middle East at the end of the Lower Paleolithic. This excavation, carried out by Tamar Noy between 1963 and 1970, was one of the first successful salvage projects in the region. This ASPR volume is the first integrated monograph on a Lower Paleolithic site to be published from the region. It brings together the results of interdisciplinary research on the site of Holon{\textemdash}geology, dating, archaeology, paleontology, taphonomy, and spatial analysis{\textemdash}by a team of leading international researchers. The results are synthesized to address fundamental questions of human evolution, including whether early hominins hunted or scavenged very large animals, and the nature of culture change in the Lower Paleolithic. The lithic analysis documents the final stage of the Lower Paleolithic before the transition to Middle Paleolithic technology. This book will be an essential point of reference for students and specialists working in the archaeology of human evolution, as well as all archaeologists working in the region of the Levant.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655552}, editor = {Michael Chazan and Liora Kolska Horwitz} } @book {1419015, title = {Feeding the Ancestors: Tlingit Carved Horn Spoons}, year = {2007}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by Rosita Worl
Photographs by Hillel S. Burger

Silver Medal, 2008 IPPY Awards (Multicultural Non-Fiction Adult)

Feeding the Ancestors\ presents an exquisite group of carved spoons from the Pacific Northwest that resides in the collections of Harvard{\textquoteright}s\ Peabody Museum of Archaeology and Ethnology. Carved from the horns of mountain goats and Dall sheep, and incorporating elements of abalone shell and metal, most of the spoons were collected in Alaska in the late nineteenth century and were made and used by members of the Tlingit tribe.\ Hillel Burger{\textquoteright}s beautiful color photographs reveal every nuance of the carvers{\textquoteright} extraordinary artistry.

Anne-Marie Victor-Howe\ introduces the collectors and describes the means by which these and other ethnographic objects were acquired. In the process, she paints a vivid picture of the {\textquotedblleft}Last Frontier{\textquotedblright} just before and shortly after the United States purchased Alaska. A specialist in the ethnography of the Native peoples of the Northwest Coast, Victor-Howe provides a fascinating glimpse into these aboriginal subsistence cultures as she explains the manufacture and function of traditional spoons. Her accounts of the clan stories associated with specific carvings and of the traditional shamanic uses of spoons are the result of extensive consultation with Tlingit elders, scholars, and carvers.

Feeding the Ancestors\ is the first scholarly study of traditional feast spoons and a valuable contribution to our knowledge of Pacific Northwest Coast peoples and their art.

Anne-Marie Victor-Howe\ is an anthropologist and Research Associate of the\ Peabody Museum of Archaeology and Ethnology, Harvard University.

Rosita Worl\ is President of the\ Sealaska Heritage Institute\ in Juneau, Alaska.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654036}, author = {Anne-Marie Victor-Howe} } @book {1420057, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina}, year = {2006}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657730}, author = {Ian Graham} } @book {1419016, title = {A Noble Pursuit: The Duchess of Mecklenburg Collection from Iron Age Slovenia}, year = {2006}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Photographs by\ Hillel S. Burger

In 1905, to the consternation of her family and in defiance of convention, the 48-year-old Duchess Paul Friedrich of Mecklenburg took up the practice of archaeology. In the nine years leading up to the First World War, she successfully excavated twenty-one sites in her home province of Carniola (modern Slovenia), acquiring the patronage of Austro-Hungarian Emperor Franz Josef I and German Kaiser Wilhelm II. Mentored by the most important archaeologists of her time{\textemdash}Oscar Montelius and Josef Dechellette{\textemdash}the Duchess became an accomplished fieldworker and an important figure in the archaeology of Central Europe.\ Gloria Greis\ incorporates previously unpublished correspondence and other archival documents in this colorful account of the Duchess of Mecklenburg and her work.

The Mecklenburg Collection, the largest systematically excavated collection of European antiquities outside of Europe, resides in Harvard{\textquoteright}s\ Peabody Museum of Archaeology and Ethnology. The sites excavated by the Duchess, which encompass the scope of Iron Age cultures in Slovenia, form an important resource for studying the cultural history of the region.\ A Noble Pursuit\ presents a selection of beautifully photographed artifacts that provide an overview of the scope and importance of the collection as a whole and attest to the enduring quality of the Duchess{\textquoteright}s pioneering work.

Gloria Polizzotti Greis\ is Executive Director of the\ Needham (Massachusetts) Historical Society.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654043}, author = {Gloria Polizzotti Greis} } @book {1419696, title = {The Faunas of Hayonim Cave, Israel: A 200,000-Year Record of Paleolithic Diet, Demography, and Society}, year = {2006}, pages = {330}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

A decade of zooarchaeological fieldwork (1992-2001) went into Mary Stiner{\textquoteright}s pathbreaking analysis of changes in human ecology from the early Mousterian period through the end of Paleolithic cultures in the Levant. Stiner employs a comparative approach to understanding early human behavioral and environmental change, based on a detailed study of fourteen bone assemblages from Hayonim Cave and Meged Rockshelter in Israel{\textquoteright}s Galilee. Principally anthropological in outlook, Stiner{\textquoteright}s analysis also integrates chemistry, foraging and population ecology, vertebrate paleontology, and biogeography. Her research focuses first on the formation history, or taphonomy, of bone accumulations, and second on questions about the economic behaviors of early humans, including the early development of human adaptations for hunting large prey and the relative "footprint" of humans in Pleistocene ecosystems of the Levant.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655521}, author = {Mary C. Stiner} } @book {1419040, title = {The Neville Site: 8,000 Years at Amoskeag, Manchester, New Hampshire}, year = {2005}, pages = {160}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The 1968 excavation of the Neville Site in Manchester, New Hampshire, was a major event in the archaeological history of New England. Analysis of the site extended the known duration of continuous occupation in the region by some 3,000 years and demonstrated early connections between the New England area and the Southeast. The Neville Site was first occupied nearly 8,000 years ago, when the Eastern coastal plain from North Carolina to New Hampshire was essentially a single cultural province. Current excavations in Manchester have reinvigorated interest in the archaeology of New Hampshire and created a demand for this facsimile edition of the original 1976 publication.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659031}, author = {Dena Ferran Dincauze} } @book {1419031, title = {Painted by a Distant Hand}, year = {2005}, pages = {120}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by\ Rubie Watson

Photographs by\ Hillel S. Burger

1st place, 2006 NEMA Awards (Books Over $10)

Highlighting one of the\ Peabody Museum{\textquoteright}s most important archaeological expeditions{\textemdash}the excavation of the Swarts Ranch Ruin in southwestern New Mexico by Harriet and Burton Cosgrove in the mid-1920s{\textemdash}Steven LeBlanc{\textquoteright}s book features rare, never-before-published examples of Mimbres painted pottery, considered by many scholars to be the most unique of all the ancient art traditions of North America. Made between A.D. 1000 and 1150, these pottery bowls and jars depict birds, fish, insects, and mammals that the Mimbres encountered in their daily lives, portray mythical beings, and show humans participating in both ritual and everyday activities. LeBlanc traces the origins of the Mimbres people and what became of them, and he explores our present understanding of what the images mean and what scholars have learned about the Mimbres people in the 75 years since the Cosgroves{\textquoteright} expedition.

Steven A. LeBlanc\ is an archaeologist and former Director of Collections at the\ Peabody Museum of Archaeology and Ethnology, Harvard University.

Rubie Watson\ is Curator of Comparative Ethnology in the\ Peabody Museum of Archaeology and Ethnology, Harvard University.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654029}, author = {Steven A. LeBlanc} } @book {1420068, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 1: Naranjo}, year = {2004}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657808}, author = {Ian Graham and Eric von Euw} } @book {1421300, title = {Dear Jeffie}, year = {2004}, pages = {96}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Jeffries Wyman\ (1814{\textendash}74), a pioneer anthropologist of nineteenth-century America and one of its great comparative anatomists, was the Hersey Professor of Anatomy at Harvard University and, later, a trustee of the\ Peabody Museum\ and professor of American Archaeology and Ethnology.

Wyman wrote the 59 letters in this volume to his only son Jeffie. Dating from 1866, when Jeffie was two, until Wyman{\textquoteright}s death in 1874, when Jeffie was ten, the letters reveal a great scientist trying to instill in his son the concepts of acute observation and wonder. Wyman{\textquoteright}s charming, quizzical drawings embellish the text, which will be appreciated by children and adults alike.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657969}, editor = {George E. Gifford, Jr.} } @book {1419417, title = {Fish, Amphibian, and Reptile Remains from Archaeological Sites}, year = {2004}, pages = {156}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Stanley Olsen{\textquoteright}s invaluable manual presents diagnostic characteristics of the fish, amphibian, and reptile bones commonly found in archaeological sites in the southeastern and southwestern United Stares. An appendix describes in detail the osteology of the wild turkey.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651639}, author = {Stanley J. Olsen} } @book {1419429, title = {Mecklenburg Collection, Part I: Data on Iron Age Horses of Central and Eastern Europe and Human Skeletal Material from Slovenia}, year = {2004}, pages = {116}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

These three volumes deal with the Iron Age grave materials from Magdalenska gora, excavated by the Duchess Paul Friedrich von Mecklenburg-Schwerin. The Duchess of Mecklenburg, a member of an Austrian royal family with estates in Slovenia, conducted her excavations in the early years of the twentieth century. The materials from Magdalenska gora were purchased by the Peabody Museum in the 1930s.

Volume I presents data and analysis of the horse remains and human skeletal materials.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655262}, author = {S{\'a}ndor B{\"o}k{\"o}nyi and J. Lawrence Angel}, editor = {Hugh Hencken} } @book {1419418, title = {Osteology for the Archaeologist}, year = {2004}, pages = {192}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

This comparative analysis aids the fieldworker in identifying fossil proboscidean bones from early man sites. It also describes the skulls, mandibles, and posteranial skeletons of forty families of birds frequently found in archaeological excavations in the United States.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651974}, author = {Stanley J. Olsen} } @book {1419682, title = {Excavations at Tepe Yahya, Iran, 1967-1975, Volume IV: The Iron Age Settlement}, year = {2004}, pages = {108}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Tepe Yahya provides a stratigraphic sequence that stretches some 6,000 years, from the Neolithic period to the early centuries AD. As a result, the site is critical for understanding cultural processes in southeastern Iran. In this fifth volume of results of the excavations at Tepe Yahya,\ Peter Magee\ presents evidence from the Iron Age occupation of the site. Looking beyond the epigraphic and historical data and examining the insights provided by the artifactual record, Magee describes how a small settlement, located some distance from the main centers of power, came into being and was affected by the emergence of the Achaemenid imperial system, which stretched from Pakistan to Libya.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655507}, author = {Peter Magee} } @book {1419410, title = {Mammal Remains from Archaeological Sites}, year = {2004}, pages = {174}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

This classic work provides a guide to the identification of nonhuman animal bones.\ Olsen\ illustrates various diagnostic characteristics of rodents and dogs; jaguars and other members of the cat family; the domestic horse, pig, and goat; and other animals whose bones are commonly found in archaeological sites in the southeastern United States.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651622}, author = {Stanley J. Olsen} } @book {1419028, title = {Gifts of the Great River: Arkansas Effigy Pottery from the Edwin Curtiss Collection}, year = {2004}, pages = {120}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Foreword by\ Ian W. Brown

In 1879 Edwin Curtiss set out for the wild St. Francis River region of northeastern Arkansas to collect archaeological specimens for the\ Peabody Museum. By the time Curtiss completed his fifty-six days of Arkansas fieldwork, he had sent nearly 1,000 pottery vessels to Cambridge and had put the Peabody on the map as the repository of one of the world{\textquoteright}s finest collections of Mississippian artifacts.\ John House\ brings us a lively account of the work of this nineteenth-century fieldworker, the Native culture he explored, and the rich legacies left by both. The result is a vivid re-creation of the world of Indian peoples in the Mississippi River lowlands in the last centuries before European contact. The volume{\textquoteright}s focus is Curtiss{\textquoteright}s collection of charming and expressive effigy vessels: earthenware bowls and bottles that incorporate forms of fish, birds, mammals, amphibians, and humans, including the Peabody{\textquoteright}s famous red-and-white head vase.

John H. House\ is Station Archaeologist, Pine Bluff Research Station, and Associate Professor of Anthropology,\ University of Arkansas, Fayetteville.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654012}, author = {John H. House} } @book {1419024, title = {Collecting the Weaver{\textquoteright}s Art: The William Claflin Collection of Southwestern Textiles}, year = {2003}, pages = {160}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {by\ Laurie D. Webster

Foreword by\ Tony Berlant

This is the first publication on a remarkable collection of sixty-six outstanding Pueblo and Navajo textiles donated to the\ Peabody Museum\ in the 1980s by William Claflin, Jr., a prominent Boston businessman, avocational anthropologist, and patron of Southwestern archaeology. Claflin bequeathed to the museum not only these beautiful textiles, but also his detailed accounts of their collection histories{\textemdash}a rare record of the individuals who had owned or traded these weavings before they found a home in his private museum. Textile scholar\ Laurie Webster\ tells the stories of the weavings as they left their native Southwest and traveled eastward, passing through the hands of such owners and traders as a Ute Indian chief, a New England schoolteacher, a renowned artist, and various military officers and Indian agents. Her concise overview of Navajo and Pueblo weaving traditions is enhanced by the reflections of noted artist and Navajo textile expert\ Tony Berlant\ in his foreword to the text.

Laurie D. Webster\ is an independent scholar and textile consultant, and Visiting Scholar in the Department of Anthropology at the\ University of Arizona.

Tony Berlant\ is an artist and author, and collector, curator, and expert on Navajo textiles.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873654005}, author = {Laurie D. Webster} } @book {1419424, title = {Str{\'a}nsk{\'a} sk{\'a}la: Origins of the Upper Paleolithic in the Brno Basin, Moravia, Czech Republic}, year = {2003}, pages = {232}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

In this volume, an international and interdisciplinary team of scholars{\textemdash}Czech and American archaeologists, paleoanthropologists, geologists, and biologists{\textemdash}report on the results of the investigations from 1980 through the 1990s at Str{\'a}nsk{\'a} sk{\'a}la, a complex of open-air loess sites on the outskirts of the Brno Basin in the Czech Republic.

The volume presents in-depth studies of the geology, paleopedology, frost processes, vegetation, fauna, and archaeological features of Str{\'a}nsk{\'a} sk{\'a}la that break new ground in our understanding of early modern humans in central Europe.

Jir{\'\i} Svoboda\ is Professor at the\ University of Brno\ and Director of the Institute of Archaeology, Dolni Vestonice,\ Academy of Science of the Czech Republic.

Ofer Bar-Yosef\ is MacCurdy Professor of Prehistoric Archaeology,\ Harvard University.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655514}, author = {Jir{\'\i} Svoboda and Ofer Bar-Yosef} } @book {1398998, title = {Approaches to Faunal Analysis in the Middle East}, year = {2003}, pages = {206}, publisher = {Harvard University Press}, organization = {Harvard University Press}, abstract = {

This volume addresses the methodology and application of a faunal analysis, specifically as it pertains to data from the Middle East. Topics include a wide range of approaches to the study of the faunal remains, from the methodology of investigating issues of domestication to the utilization of computer analysis in the identification of remains.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659512\&content=toc}, author = {Melinda A. Zeder}, editor = {Richard H. Meadow} } @book {1419697, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras}, year = {2003}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

The first of five anticipated volumes on the renowned monuments of Piedras Negras, Guatemala, this volume describes the site and the history of exploration at this important center of Classic Maya civilization. It includes photographs and detailed line drawings of twelve of the inscribed sculpted monuments at Piedras Negras, as well as a map of the ruins.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658225}, author = {David Stuart and Ian Graham} } @book {1419681, title = {Excavations at Tepe Yahya, Iran, 1967-1975, Volume III: The Third Millennium}, year = {2001}, pages = {388}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Situated roughly midway between the great cities of the Indus Valley and those of the Mesopotamian plains, Tepe Yahya occupies a special place in our conceptions of relations between these distant territories during the early Bronze Age. Its third-millennium levels, dating from 3000 to 2100 B.C., are particularly important.

In this definitive study,\ D. T. Potts\ describes the stratigraphy, architecture, ceramics, and chronology of the site and presents a full inventory of the small finds.\ Holly Pittman\ contributes comprehensive illustrations and a discussion of the seals and sealings, and\ Philip Kohl\ provides an analysis of the carved chlorite industry. In a foreword and afterword, project director\ C. C. Lamberg-Karlovsky\ tells the story of the archaeological expedition and reflects on the contributions of the Tepe Yahya project.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655491}, author = {by D. T. Potts}, editor = {C. C. Lamberg-Karlovsky} } @book {1419045, title = {Nyae Nyae !Kung Beliefs and Rites}, year = {2000}, pages = {400}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

With style and depth,\ Lorna Marshall\ leads the reader through the intricacies, ambiguities, and silences of !Kung beliefs. Her narrative, based on fieldwork among the Bushmen of the Kalahari in the early 1950s, brings into focus a way of life that appears to have existed for millennia. She presents the culture, beliefs, and spirituality of one of the last true hunting-and-gathering peoples by focusing on members of different bands as they reveal their own views. This account, with photography by John Marshall, presents a system of beliefs, one in which personified deities and unpersonifled supernatural forces (n!ow and n/um) interact with man and the natural world. The !Kung believe that this interaction accounts for much of the mystery of life and the vicissitudes of the good and evil that befall mankind. The book also depicts an egalitarian lifestyle based on sharing and group awareness, a lifestyle that has not survived intact the increasing integration of the Bushmen into the modern world.

A companion volume to her 1976 work,\ The !Kung of Nyae Nyae, this book was published to mark the one-hundredth birthday of Lorna Marshall (1898 {\textendash} 2002).

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873659086}, author = {Lorna J. Marshall} } @book {1420054, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 3: Tonina}, year = {1999}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658287}, author = {Ian Graham and Peter Mathews} } @book {1420294, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 8: Part 1: Coba}, year = {1997}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658218}, author = {Ian Graham and Eric von Euw} } @book {1419434, title = {An Early Neolithic Village in the Jordan Valley, Part I: The Archaeology of Netiv Hagdud}, year = {1997}, pages = {280}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The "Neolithic Revolution" in Southwestern Asia involved major transformations of economy and society that began during the Natufian period in the southern Levant and continued through Pre-Pottery Neolithic A (PPNA) and into Pre-Pottery Neolithic B (PPNB). The authors describe that process at Netiv Hagdud, with additional material from the Natufian site of Salibiya IX. Includes reports on the archaeology, lithics, bone tools, lithic use-wear, marine shells, burials, and plant remains.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655477}, author = {Ofer Bar-Yosef and Avi Gopher} } @book {1421301, title = {Shell Gorgets: Styles of the Late Prehistoric and Protohistoric Southeast}, year = {1996}, pages = {544}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Engraved shell gorgets are found throughout prehistoric southeastern North America. The artistic sophistication of these gorgets lends itself to the sensitive stylistic and chronological analysis offered here. In part one of this volume, the gorgets are classified into styles; in part two, described archaeological sites are analyzed for associations and chronology; and in part three, information about the gorgets is correlated with other artifactual evidence, and patterns of intersite distribution are examined for chronological insights and dynamic interpretations.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658126}, author = {Jeffrey P. Brain and Philip Phillips} } @book {1420055, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 2: Tonina}, year = {1996}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658171}, author = {Ian Graham and Peter Mathews} } @book {1420293, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 7: Part 1: Seibal}, year = {1996}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658164}, author = {Ian Graham} } @book {1419416, title = {Ceramics and Artifacts from Excavations in the Copan Residential Zone}, year = {1995}, pages = {496}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

This is the first of two volumes addressing the Harvard University excavations in an outlying residential zone of the Copan in Honduras. The book offers detailed descriptions of ceramics and all other artifacts during 1976{\textendash}1977. The materials pertain largely to the Late Classic Period. Ceramics are presented according to the type-variety system.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873652063}, author = {Gordon R. Willey and Richard M. Leventhal and Arthur A. Demarest and William L. Fash} } @book {1419680, title = {Origins of the Bronze Age Oasis Civilization in Central Asia}, year = {1994}, pages = {240}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The Murghad River delta, the site of ancient Margiana, was extensively settled during at least part of the Bronze Age, between 2200 and 1750 B.C. Oases in an otherwise desert region, settlements were situated along deltaic branches of the river or canals dug from those branches. Excavations at one of the largest and most complex of these sites, Gonur depe, have been ongoing for many years under the direction of Victor Sarianidi. During the 1988{\textendash}89 field season,\ Fred Hiebert\ excavated part of Gonur in collaboration with the Ministry of Culture of Turkmenistan and the Institute of Archaeology in Moscow.

Published here, the results provide a key to understanding the large corpus of material of the Bactro-Margiana Archaeological Complex extracted over the past 30 years from this and neighboring sites of the Oxus civilization.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655453}, author = {Fred Hiebert} } @book {1419440, title = {An Early Neolithic Village in the Jordan Valley, Part II: The Fauna of Netiv Hagdud}, year = {1994}, pages = {112}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The {\textquotedblleft}Neolithic Revolution{\textquotedblright} in Southwestern Asia involved major transformations of economy and society that began during the Natufian period in the southern Levant and continued through Pre-Pottery Neolithic A (PPNA) and into Pre-Pottery Neolithic B (PPNB). The authors describe that process at Netiv Hagdud, with additional material from the Natufian site of Salibiya IX. Includes reports on the archaeology, lithics, bone tools, lithic use-wear, marine shells, burials, and plant remains.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655484}, author = {Eitan Tchernov} } @book {1420295, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 2: Uxmal}, year = {1993}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658133}, author = {Ian Graham} } @book {1420296, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 3: Uxmal, Xcalumkin}, year = {1993}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658140}, author = {Ian Graham and Eric von Euw} } @book {1420311, title = {Artifacts from the Cenote of Sacrifice, Chichen Itza, Yucatan}, year = {1992}, pages = {408}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Introduction by Gordon R. Willey
Appendixes by April K. Sievert and Fred Trembour

In this abundantly illustrated third and final volume on the artifacts found by Edward H. Thompson in the Well of Sacrifice, specialists analyze the great variety of objects and debate whether they represent evidence of dateable prehistorical ritual. The collection includes the rare remains of hundreds of textiles, wooden objects, and copal incense offerings that were preserved in the waters of this limestone sinkhole, as well as the lithics, ceramics and bone and shell artifacts commonly found in Maya burials and caches and about 250 mammalian remains. These objects are remarkable for having been cut, torn, broken, and burned before they were thrown into the green waters of the sacred well at Chichen Itza.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873656948}, author = {Clemency Chase Coggins} } @book {1420314, title = {Excavations at Seibal, Department of Peten, Guatemala, V}, year = {1990}, pages = {290}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Volume 1. Monumental Sculpture and Hieroglyphic Inscriptions
Volume 2. Burials
Volume 3. The Ethnozoology of the Maya
Volume 4. General Summary and Conclusions

Seibal is a major ruin of the southern Maya lowlands, its vast ceremonial center covering several high hills on the banks of the Pasion River in the Guatemalan Department of Peten. In five volumes published over a 15-year period, the archaeological team headed by\ Gordon R. Willey\ presents a comprehensive review of their fieldwork from 1964 to 1968 and the results of many years of subsequent data analysis. The volumes also report on explorations in the peripheral settlements outside of the Seibal center and provide a regional view of the evolution of lowland Maya culture from the Middle and Late Preclassic through the Late Classic periods.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873656900}, author = {Gordon R. Willey and John A. Graham and Gair Tourtellot, III and Mary Pohl} } @book {1419412, title = {Skull Shapes and the Map: Craniometric Analyses in the Dispersion of Modern Homo}, year = {1990}, pages = {200}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

In this sequel to his\ Cranial Variation in Man,\ William White Howells\ surveys present-day regional skull shapes by a uniform method, examining the nature and degree of cranial differences discernible between recent\ Homo sapiens\ populations around the world.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873652056}, author = {William White Howells} } @book {1420315, title = {Excavations at Seibal, Department of Peten, Guatemala, IV}, year = {1989}, pages = {496}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peripheral Survey and Excavation, Settlement and Community Patterns

Seibal is a major ruin of the southern Maya lowlands, its vast ceremonial center covering several high hills on the banks of the Pasion River in the Guatemalan Department of Peten. In five volumes published over a 15-year period, the archaeological team headed by\ Gordon R. Willey\ presents a comprehensive review of their fieldwork from 1964 to 1968 and the results of many years of subsequent data analysis. The volumes also report on explorations in the peripheral settlements outside of the Seibal center and provide a regional view of the evolution of lowland Maya culture from the Middle and Late Preclassic through the Late Classic periods.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873656887}, author = {Gair Tourtellot, III}, editor = {Gordon R. Willey} } @book {1419704, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 3: Uaxactun}, year = {1987}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658089}, author = {Ian Graham} } @book {1419407, title = {Excavations at the Lake George Site, Yazoo Country, Mississippi, 1958{\textendash}1960}, year = {1985}, pages = {512}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

This milestone volume describes and interprets excavations at one of the greatest late prehistoric sites in the southeastern United States. Lake George reached its zenith between the thirteenth and fifteenth centuries A.D., during the florescence of the Mississippian culture. This is a detailed analysis of the site and its relationship to the corpus of Southeastern archaeology.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873652001}, author = {Stephen Williams and Jeffrey P. Brain} } @book {1420059, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 1: Introduction}, year = {1985}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

Volume 1 includes a Spanish translation of the Introduction text and six appendices: sources of sculpture and their codes; list of abbreviations and symbols used in the\ Corpus\ series; table of\ tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a complete Calendar Round in tabular form, giving the position of\ tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a method for the quick computation of Calendar Round position, by\ John S. Justeson; and Moon Age tables, by\ Lawrence Roys.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657792}, author = {Ian Graham} } @book {1419699, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 2: Xultun}, year = {1985}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658072}, author = {Eric von Euw and Ian Graham} } @book {1419427, title = {Rural Economy in the Early Iron Age}, year = {1983}, pages = {192}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

This volume presents data and analysis on settlement structure, subsistence patterns, manufacturing, and trade from the Peabody Museum{\textquoteright}s four seasons of excavation at Hascerkeller, Bavaria, a typical Central European agricultural community at the start of the final millennium\ B.C.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655392}, author = {Peter S. Wells} } @book {1419703, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 1: Tonina}, year = {1983}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the\ Peabody Museum\ has been publishing\ The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the\ Corpus\ will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities\ in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.\ 

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873658041}, author = {Peter Mathews} } @book {1420309, title = {Excavations at Seibal, Department of Peten, Guatemala, III}, year = {1983}, pages = {260}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

1. Major Architecture and Caches. 2. Analyses of Fine Paste Ceramics

Seibal is a major ruin of the southern Maya lowlands, its vast ceremonial center covering several high hills on the banks of the Pasion River in the Guatemalan Department of Peten. In five volumes published over a 15-year period, the archaeological team headed by\ Gordon R. Willey\ presents a comprehensive review of their fieldwork from 1964 to 1968 and the results of many years of subsequent data analysis. The volumes also report on explorations in the peripheral settlements outside of the Seibal center and provide a regional view of the evolution of lowland Maya culture from the Middle and Late Preclassic through the Late Classic periods.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873656870}, author = {Gordon R. Willey and A. Ledyard Smith and Jeremy A. Sabloff and Ronald L. Bishop and Garman Harbottle and Robert L. Rands and Edward V. Sayre} } @book {1419406, title = {An Osteology of Some Maya Mammals}, year = {1982}, pages = {104}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

The bone remains of a considerable range of vertebrate mammals have been recovered in the course of excavations at Maya archaeological sites. Many of the mammals represented in those collections are peculiar to Central America and have not been treated in osteological studies. This volume has been designed to aid in the identification of faunal remains recovered in the Maya area and is intended particularly for those archaeologists not having the large comparative mammal collections in their institutions. A number of the skeletons are figured for the first time.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651998}, author = {Stanley J. Olsen} } @book {1419402, title = {Mariana Mesa: Seven Prehistoric Settlements in West-Central New Mexico}, year = {1980}, pages = {320}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

A detailed report on the excavations of, and a comprehensive account and analysis of artifacts and materials from, seven settlements that varied in size from units of one or two families to small communities of several dozen individual houses.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651981}, author = {Charles R. McGimsey III} } @book {1420301, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 3: Ixkun, Ucanal, Ixtutz, Naranjo}, year = {1980}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657860}, author = {Ian Graham} } @book {1420302, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 1: Yaxchilan}, year = {1980}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the\ Peabody Museum\ has been publishing\ The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the\ Corpus\ will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities\ in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.\ 

Volume 3\ documents the lintels and hieroglyphic stairways \ of Yaxchilan, Chiapas, Mexico.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657884}, author = {Ian Graham and Eric von Euw} } @book {1420056, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 2: Yaxchilan}, year = {1979}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

Volume 3 documents the lintels and hieroglyphic stairways \ of Yaxchilan, Chiapas, Mexico.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657891}, author = {Ian Graham} } @book {1420297, title = {Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 1: Xultun}, year = {1979}, pages = {64}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873657938}, author = {Eric von Euw} } @book {1419400, title = {Bones from Awatovi}, year = {1978}, pages = {84}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Bones from Awatovi\ contains a detailed analysis of the massive collection of both the faunal remains and the bone/antler artifacts recovered from the site of Awatovi. Unique in its size and degree of preservation, the Awatovi faunal collection provides rich ground for analysis and interpretation.\ Olsen\ and\ Wheeler\ deliver an in-depth examination which is of interest to archaeologists and faunal analysts alike.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873651950}, author = {Stanley J. Olsen} } @book {1420308, title = {Excavations at Seibal, Department of Peten, Guatemala, II}, year = {1978}, pages = {262}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

1. Artifacts. 2. A Reconnaissance of Cancun. 3. A Brief Reconnaissance of Itzan

Seibal is a major ruin of the southern Maya lowlands, its vast ceremonial center covering several high hills on the banks of the Pasion River in the Guatemalan Department of Peten. In five volumes published over a 15-year period, the archaeological team headed by\ Gordon R. Willey\ presents a comprehensive review of their fieldwork from 1964 to 1968 and the results of many years of subsequent data analysis. The volumes also report on explorations in the peripheral settlements outside of the Seibal center and provide a regional view of the evolution of lowland Maya culture from the Middle and Late Preclassic through the Late Classic periods.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873656863}, author = {Gordon R. Willey and Gair Tourtellot, III and Jeremy A. Sabloff and Robert Sharick and Norman Hammond and Richard M. Rose} } @book {1419430, title = {Mecklenburg Collection, Part II: The Iron Age Cemetery of Magdalenska gora in Slovenia}, year = {1978}, pages = {330}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

These three volumes deal with the Iron Age grave materials from Magdalenska gora, excavated by the Duchess Paul Friedrich von Mecklenburg-Schwerin. The Duchess of Mecklenburg, a member of an Austrian royal family with estates in Slovenia, conducted her excavations in the early years of the twentieth century. The materials from Magdalenska gora were purchased by the Peabody Museum in the 1930s.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780873655354}, author = {Hugh Hencken} } @book {1429602, title = {Jades from the Cenote of Sacrifice, Chichen Itza, Yucatan}, year = {1974}, pages = {217}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, author = {Tatiana Proskouriakoff} } @book {1424589, title = {Craniometry and Multivariate Analysis: The Jomon Population of Japan, and A Multiple Discriminant Analysis of Egyptian and African Negro Crania}, year = {1966}, pages = {92}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 57}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:428461121$1i}, author = {W. W. Howells and Michael Crichton} } @book {1424586, title = {Archaeology of the Diqu{\'\i}s Delta, Costa Rica}, year = {1963}, pages = {227}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 51}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427682045$1i}, author = {S. K. Lothrop} } @book {1424444, title = {The Cerro Colorado Site and Pithouse Architecture in the Southwestern United States prior to A.D. 900}, year = {1962}, pages = {261}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 44, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433215222$1i}, author = {William R. Bullard, Jr.} } @book {1424442, title = {The Talamancan Tribes of Costa Rica}, year = {1962}, pages = {158}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 43, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433216732$7i}, author = {Doris Stone} } @book {1424283, title = {Jeddito 264: A Report on the Excavation of a Basket Maker III{\textendash}Pueblo I Site in Northeastern Arizona with a Review of Some Current Theories in Southwesterm Archaeology}, year = {1961}, pages = {123}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 33

(Report no. 7, Peabody Museum Awatovi Expedition)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775285$1i}, author = {Hiroshi Daifuku} } @book {1424588, title = {La Victoria: An Early Site on the Pacific Coast of Guatemala}, year = {1961}, pages = {262}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 53}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427692435$7i}, author = {Michael D. Coe} } @book {1424446, title = {North Arabian Desert Archaeological Survey}, year = {1960}, pages = {319}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 45, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433216094$7i}, author = {Henry Field} } @book {1424288, title = {Post-Cranial Skeletal Characters of Bison and Bos}, year = {1960}, pages = {82}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 35, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433910296$1i}, author = {Stanley J. Olsen} } @book {1424587, title = {An Anthropological Reconnaissance in West Pakistan, 1955}, year = {1959}, pages = {459}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 52}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:428461307$1i}, author = {Henry Field} } @book {1424445, title = {Body-Marking in Southwestern Asia}, year = {1958}, pages = {226}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 45, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433910808$1i}, author = {Henry Field} } @book {1424276, title = {The Living Races of the Sahara Desert}, year = {1958}, pages = {318}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 28, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794813$1i}, author = {L. Cabot Briggs.} } @book {1429607, title = {Chichen Itza and Its Cenote of Sacrifice, Volumes XI and XII}, year = {1957}, pages = {515}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, author = {Alfred M. Tozzer} } @book {1424443, title = {An Archaeological Survey of West Central New Mexico and East Central Arizona}, year = {1957}, pages = {175}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, abstract = {Peabody Museum Papers Volume 44, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433215746$1i}, author = {Edward Bridge Danson} } @book {1424583, title = {The Archaeology of Central and Southern Honduras}, year = {1957}, pages = {227}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 49, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427683047$1i}, author = {Doris Stone} } @book {1424584, title = {A Chancay-Style Grave at Zapallan, Peru: An Analysis of Its Textiles, Pottery and Other Furnishings}, year = {1957}, pages = {92}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 50, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427681859$1i}, author = {S. K. Lothrop and Joy Mahler} } @book {1424585, title = {Late Nazca Burials at Chavi{\~n}a, Peru}, year = {1957}, pages = {106}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 50, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427682499$1i}, author = {S. K. Lothrop and Joy Mahler} } @book {1424282, title = {A Study of Navajo Symbolism}, year = {1956}, pages = {132}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 32, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775287$1i}, author = {Franc Johnson Newcomb and Stanley Fishler and Mary C. Wheelwright} } @book {1424278, title = {The Physical Anthropology of Ireland}, year = {1955}, pages = {594}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 30, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775283$1i}, author = {Earnest A. Hooton and C. Wesley Dupertuis} } @book {1424279, title = {The Physical Anthropology of Ireland, Volume Two}, year = {1955}, pages = {594}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 30, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775283$335i}, author = {Earnest A. Hooton and C. Wesley Dupertuis} } @book {1424436, title = {Changing Navaho Religious Values: A Study of Christian Missions to the Rimrock Navahos}, year = {1954}, pages = {174}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 41, no. 2

(Reports of the Rimrock Project Values Series, no. 2)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433910462$1i}, author = {Robert N. Rapoport} } @book {1424581, title = {Clay Figurines of the American Southwest}, year = {1954}, pages = {159}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 49, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427693453$1i}, author = {Noel Morss} } @book {1424437, title = {Enemy Way Music: A Study of Social and Esthetic Values as Seen in Navaho Music}, year = {1954}, pages = {168}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 41, no. 3

(Reports of the Rimrock Project Values Series, no. 3)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433909100$1i}, author = {David P. McAllester} } @book {1424438, title = {Land-Use in the Ramah Area of New Mexico: An Anthropological Approach to Areal Study}, year = {1954}, pages = {115}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 42, no. 1

(Report no. 5, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433761039$1i}, author = {John L. Landgraf} } @book {1424582, title = {The Monagrillo Culture of Panama}, year = {1954}, pages = {215}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 49, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427691969$5i}, author = {Gordon R. Willey and Charles R. McGimsey and Robert E. Greengo} } @book {1424440, title = {Navaho Acquisitive Values}, year = {1954}, pages = {54}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 42, no. 3

(Reports of the Rimrock Project Values Series, no. 5)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433761905$1i}, author = {Richard Hobson} } @book {1424284, title = {Prehistoric Stone Implements of Northeastern Arizona}, year = {1954}, pages = {319}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volme 34

(Report no. 6, Peabody Museum Awatovi Expedition)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775288$1i}, author = {Richard B. Woodbury} } @book {1424439, title = {A Study of Rorschach Responses in Four Cultures}, year = {1954}, pages = {62}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 42, no. 2

(Report no. 6, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433761525$1i}, author = {Bert Kaplan} } @book {1424441, title = {Zuni Law: A Field of Values}, year = {1954}, pages = {206}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 43, no. 1

(Reports of the Rimrock Project Values Series, no. 4)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433214808$1i}, author = {Watson Smith and John M. Roberts} } @book {1424579, title = {Contributions to the Anthropology of the Caucasus}, year = {1953}, pages = {238}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 48, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427693767$1i}, author = {Henry Field} } @book {1429606, title = {Metals from the Cenote of Sacrifice, Chichen Itza, Yucatan}, year = {1952}, pages = {144}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, author = {Samuel Kirkland Lothrop} } @book {1424577, title = {Anthropology of Iraq: Kurdistan and Conclusions}, year = {1952}, pages = {303}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 46, nos. 2-3

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:428462677$1i}, author = {Henry Field} } @book {1424578, title = {Culture: A Critical Review of Concepts and Definitions}, year = {1952}, pages = {247}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 47, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427692955$1i}, author = {A. L. Kroeber and Clyde Kluckhohn} } @book {1424302, title = {Ethnobotany of the Ramah Navaho}, year = {1952}, pages = {112}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 40, no. 4

(Report no. 4, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433760419$1i}, author = {Paul A. Vestal} } @book {1424576, title = {The Anthropology of Iraq: The Northern Jazira}, year = {1951}, pages = {211}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 46, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:428462247$1i}, author = {Henry Field} } @book {1424047, title = {Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940{\textendash}1947}, year = {1951}, pages = {325}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 25, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794810$1i}, author = {Philip Phillips and James A. Ford and James B. Griffin} } @book {1424435, title = {Navaho Veterans: A Study of Changing Values}, year = {1951}, pages = {252}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 41, no. 1

(Reports of the Rimrock Project Values Series, no. 1)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433909438$1i}, author = {Evon Z. Vogt} } @book {1424287, title = {Part I: Mammals Found at the Awatovi Site. Part II: Post-Cranial Skeletal Characters of Deer, Pronghorn, and Sheep-Goat with Notes on Bos and Bison}, year = {1951}, pages = {60}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 35, no. 3

(Report no. 4, Peabody Museum Awatovi Expedition)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433911262$1i}, author = {Barbara Lawrence} } @book {1424301, title = {Three Navaho Households: A Comparative Study in Small Group Culture}, year = {1951}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 40, no. 3

(Report no. 3, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433761651$1i}, author = {John M. Roberts} } @book {1424580, title = {An Anthropological Reconnaissance in the Near East}, year = {1950}, pages = {165}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 48, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427682713$1i}, author = {Henry Field} } @book {1424706, title = {Archaeology of Southern Veraguas, Panama}, year = {1950}, pages = {142}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 9, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904767$1i}, author = {Samuel Kirkland Lothrop} } @book {1423396, title = {Flint Quarries{\textemdash}The Sources of Tools and, at the Same Time, the Factories of the American Indian, with a Consideration of the Theory of the {\textquotedblleft}Blank{\textquotedblright} and Some of the Technique of Flint Utilization}, year = {1950}, pages = {58}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 17, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740955$1i}, author = {Kirk Bryan} } @book {1423653, title = {Hyperbrachycephaly as Influenced by Cultural Conditioning}, year = {1950}, pages = {118}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 23, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772369$1i}, author = {J. Franklin Ewing, S.J.} } @book {1424281, title = {Masks as Agents of Social Control in Northeast Liberia}, year = {1950}, pages = {86}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 32, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53775284$1i}, author = {Margaret Portia Mickey} } @book {1424042, title = {The Mountains of Giants: A Racial and Cultural Study of the North Albanian Mountain Ghegs}, year = {1950}, pages = {150}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 23, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772366$1i}, author = {Carleton S. Coon} } @book {1424300, title = {Some Sex Beliefs and Practices in a Navaho Community, with Comparative Material from Other Navaho Areas}, year = {1950}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 40, no. 2

(Report no. 2, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433761271$1i}, author = {Flora L. Bailey} } @book {1424049, title = {The Boruca of Costa Rica}, year = {1949}, pages = {74}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, abstract = {Peabody Museum Papers Volume 26, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794816$1i}, author = {Doris Z. Stone} } @book {1424297, title = {Gregorio, the Hand-Trembler: A Psychobiological Personality Study of a Navaho Indian}, year = {1949}, pages = {198}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 40, no. 1

(Report no. 1, Ramah Project)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433760645$1i}, author = {Alexander H. Leighton and Dorothea C. Leighton} } @book {1424277, title = {Studies in the Anthropology of Bougainville, Soloman Islands}, year = {1949}, pages = {265}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 29, nos. 1-4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794817$1i}, author = {Douglas L. Oliver} } @book {1424045, title = {Caves of the Upper Gila and Hueco Areas in New Mexico and Texas}, year = {1947}, pages = {260}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 24, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772368$1i}, author = {C. B. Cosgrove} } @book {1424055, title = {Indian Skeletal Material from the Central Coast of Peru}, year = {1947}, pages = {84}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 27, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794814$1i}, author = {Marshall T. Newman} } @book {1424275, title = {A Stone Age Cave Site in Tangier: Preliminary Report on the Excavations at the Mugharet El {\textquoteleft}Aliya, or High Cave, in Tangier}, year = {1947}, pages = {54}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 28, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794812$1i}, author = {Bruce Howe and Hallam L. Movius, Jr.} } @book {1424280, title = {Tribes of the Liberian Hinterland}, year = {1947}, pages = {643}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 31}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53896673$1i}, author = {George Schwab}, editor = {George W. Harley} } @book {1424054, title = {Some Notes on the Archaeology of the Department of Puno, Peru}, year = {1946}, pages = {84}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 27, no. 3

(Report no. 3, Peabody Museum Expeditions to Southern Peru)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794809$1i}, author = {Marion H. Tschopik} } @book {1424043, title = {The Excavation of Los Muertos and Neighboring Ruins in the Salt River Valley, Southern Arizona}, year = {1945}, pages = {306}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 24, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772364$1i}, author = {Emil W. Haury} } @book {1424705, title = {Archaeological Investigations in El Salvador}, year = {1944}, pages = {138}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 9, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904768$1i}, author = {John M. Longyear, III} } @book {1424048, title = {Archaeology of Northwestern Venezuela}, year = {1944}, pages = {212}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 26, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794811$1i}, author = {Alfred Kidder, II} } @book {1424053, title = {An Introduction to the Archaeology of Cuzco}, year = {1944}, pages = {107}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 27, no. 2

(Report no. 2, Peabody Museum Expeditions to Southern Peru)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794808$1i}, author = {John H. Rowe} } @book {1423650, title = {Old Oraibi: A Study of the Hopi Indians of Third Mesa}, year = {1944}, pages = {300}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 22, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772363$1i}, author = {Mischa Titiev} } @book {1423652, title = {Racial Prehistory in the Southwest and the Hawikuh Zunis}, year = {1944}, pages = {48}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 23, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772370$1i}, author = {Carl C. Seltzer} } @book {1424050, title = {Some Early Sites in the Northern Lake Titicaca Basin}, year = {1943}, pages = {70}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 27, no. 1

(Report no. 1, Peabody Museum Expeditions to Southern Peru)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53794815$1i}, author = {Alfred Kidder, II} } @book {1423641, title = {Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon}, year = {1943}, pages = {254}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 20, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53896674$1i}, editor = {Carleton S. Coon and James M. Andrews, IV} } @book {1423404, title = {Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon}, year = {1943}, pages = {254}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 20, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53896674$1i}, editor = {Carleton S. Coon and James M. Andrews IV} } @book {1423640, title = {Studies in the Anthropology of Oceania and Asia: Presented in Memory of Roland Burrage Dixon}, year = {1943}, pages = {254}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 20, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53896674$1i}, editor = {Carleton S. Coon and James M. Andrews, IV} } @book {1424285, title = {The Changing Physical Environment of the Hopi Indians of Arizona}, year = {1942}, pages = {128}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 35, no. 1

(Report no. 1, Peabody Museum Awatovi Expedition)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433910038$1i}, author = {John T. Hack} } @book {1424703, title = {Cocl{\'e}: An Archaeological Study of Central Panama, Part II: Pottery of the Sitio Conte and Other Archaeological Sites}, year = {1942}, pages = {326}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 8}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904765$1i}, author = {Samuel Kirkland Lothro} } @book {1424286, title = {Prehistoric Coal Mining in the Jeddito Valley, Arizona}, year = {1942}, pages = {48}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 35, no. 2

(Report no. 2, Peabody Museum Awatovi Expedition)

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:433909940$1i}, author = {John T. Hack} } @book {1423394, title = {Archaeological Investigations in Central Utah: Joint Expedition of the University of Utah and the Peabody Museum, Harvard University}, year = {1941}, pages = {84}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 17,\  no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740957$1i}, author = {John Gillin} } @book {1424704, title = {Archaeology of the North Coast of Honduras}, year = {1941}, pages = {122}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 9, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904763$1i}, author = {Doris Stone} } @book {1423634, title = {Landa{\textquoteright}s Relaci{\'o}n de las Cosas de Yucatan: A Translation}, year = {1941}, pages = {422}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 18, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740954$1i}, editor = {Alfred M. Tozzer} } @book {1423392, title = {Navaho Pottery Making: An Inquiry into the Affinities of Navaho Painted Pottery}, year = {1941}, pages = {112}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 12, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740960$1i}, author = {Harry Tschopik, Jr.} } @book {1423403, title = {Notes on the Poro in Liberia}, year = {1941}, pages = {66}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 19, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772367$1i}, author = {George W. Harley} } @book {1423637, title = {The Prehistoric Archaeology of Northwest Africa}, year = {1941}, pages = {208}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 19, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53772365$1i}, author = {Frederick R. Wulsin} } @book {1423390, title = {Contributions to the Racial Anthropology of the Near East}, year = {1940}, pages = {92}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 16, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740959$1i}, author = {Carl C. Seltzer} } @book {1423391, title = {Fossil Man in Tangier}, year = {1940}, pages = {46}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 16, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740962$1i}, author = {Muzaffer S{\"u}leyman {\c S}eny{\"u}rek} } @book {1423388, title = {Anthropometry of the Natives of Arnhem Land and the Australian Race Problem}, year = {1937}, pages = {114}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 16, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740958$1i}, author = {W. W. Howells} } @book {1424702, title = {Cocl{\'e}: An Archaeological Study of Central Panama, Part I: Historical Background, Excavations at the Sitio Conte, Artifacts and Ornaments}, year = {1937}, pages = {374}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 7}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904764$5i}, author = {Samuel Kirkland Lothrop, et al} } @book {1423387, title = {The Barama River Caribs of British Guiana}, year = {1936}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 14, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740956$1i}, author = {John Gillin} } @book {1424694, title = {The Ruins of Holmul, Guatemala}, year = {1932}, pages = {172}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 3, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:50904766$1i}, author = {Raymond E. Merwin and George C. Vaillant} } @book {1424955, title = {Varia Africana V}, year = {1932}, pages = {487}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 10}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353648$9i}, author = {E. A. Hooton and Natica I. Bates} } @book {1423383, title = {The Ancient Culture of the Fremont River in Utah: Report on the Explorations under the Claflin-Emerson Fund, 1928{\textendash}29}, year = {1931}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 12, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737128$1i}, author = {Noel Morss} } @book {1422148, title = {Azilian Skeletal Remains from Montardit (Ari{\`e}ge) France}, year = {1931}, pages = {58}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 11, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737124$1i}, author = {Ruth Otis Sawtell} } @book {1422150, title = {The Evolution of the Human Pelvis in Relation to the Mechanics of the Erect Posture}, year = {1931}, pages = {100}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 11, no. 5}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737137$1i}, author = {Edward Reynolds} } @book {1423378, title = {Explorations in Northeastern Arizona: Report on the Archaeological Fieldwork of 1920{\textendash}1923}, year = {1931}, pages = {206}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 12, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737126$1i}, author = {Samuel James Guernsey} } @book {1423380, title = {Notes on the Archaeology of the Kaibito and Rainbow Plateaus in Arizona: Report on the Explorations, 1927}, year = {1931}, pages = {38}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 12, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737130$1i}, author = {Noel Morss} } @book {1423384, title = {The Stalling{\textquoteright}s Island Mound, Columbia County, Georgia}, year = {1931}, pages = {134}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 14, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53740961$1i}, author = {William H. Claflin, Jr.} } @book {1424954, title = {Tribes of the Rif}, year = {1931}, pages = {582}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 9}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353646$9i}, author = {Carleton Stevens Coon} } @book {1422146, title = {An Anthropometric Study of Hawaiians of Pure and Mixed Blood}, year = {1928}, pages = {130}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 11, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737131$1i}, author = {Leslie C. Dunn} } @book {1424953, title = {Varia Africana IV}, year = {1927}, pages = {232}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 8}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353588$7i}, author = {E. A. Hooton and Natica I. Bates} } @book {1422145, title = {Official Reports of the Towns of Tequizistlan, Tepechpan, Acolman, and San Juan Teotihuacan Sent by Francisco de Casta{\~n}eda to His Majesty, Philip II, and the Council of the Indies, in 1580}, year = {1926}, pages = {53}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 11, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737132$1i}, author = {by Zelia Nuttall} } @book {1424952, title = {The Ancient Inhabitants of the Canary Islands}, year = {1925}, pages = {518}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 7}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353586$9i}, author = {Earnest A. Hooton} } @book {1422114, title = {Astronomical Notes on the Maya Codices}, year = {1924}, pages = {74}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 6, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731669$1i}, author = {Robert W. Willson} } @book {1422144, title = {Indian Burial Place at Winthrop, Massachusetts}, year = {1924}, pages = {54}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 11, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737133$1i}, author = {Charles C. Willoughby} } @book {1422117, title = {The Reduction of Mayan Dates}, year = {1924}, pages = {286}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 6, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731668$1i}, author = {Herbert J. Spinden} } @book {1424948, title = {An English-Nubian Comparative Dictionary}, year = {1923}, pages = {248}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353580$7i}, author = {G. W. Murray} } @book {1424951, title = {Excavations at Kerma (Parts IV{\textendash}V)}, year = {1923}, pages = {692}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 6}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353584$9i}, author = {George A. Reisner} } @book {1424950, title = {Excavations at Kerma (Parts I{\textendash}III)}, year = {1923}, pages = {639}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 5}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353582$7i}, author = {George A. Reisner} } @book {1422143, title = {Indian Tribes of Eastern Peru}, year = {1922}, pages = {275}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 10, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:9671570$7i}, author = {William Curtis Farabee} } @book {1422130, title = {The Turner Group of Earthworks, Hamilton County, Ohio}, year = {1922}, pages = {198}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 8, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737127$1i}, author = {Charles C. Willoughby} } @book {1424947, title = {Varia Africana III}, year = {1922}, pages = {442}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353578$7i}, author = {E. A. Hooton and Natica I. Bates and Ruth Otis Sawtell} } @book {1422123, title = {Basket-Maker Caves of Northeastern Arizona: Report on the Explorations, 1916{\textendash}17}, year = {1921}, pages = {222}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 8, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737125$1i}, author = {Samuel James Guernsey and Alfred Vincent Kidder} } @book {1422142, title = {A Maya Grammar with Bibliography and Appraisement of the Works Noted}, year = {1921}, pages = {320}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 9, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:9181993$3i}, author = {Alfred M. Tozzer} } @book {1422111, title = {A Possible Solution of the Number Series on Pages 51 to 58 of the Dresden Codex}, year = {1921}, pages = {41}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 6, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731672$1i}, author = {Carl E. Guthe} } @book {1422120, title = {Indian Village Site and Cemetery near Madisonville, Ohio}, year = {1920}, pages = {209}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, abstract = {Peabody Museum Papers Volume 8, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53737129$1i}, author = {Earnest A. Hooton} } @book {1424709, title = {Varia Africana II}, year = {1918}, pages = {480}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353576$1i}, author = {Oric Bates} } @book {1422119, title = {History of the Spanish Conquest of Yucatan and of the Itzas}, year = {1917}, pages = {241}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 7, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731673$1i}, author = {Philip Ainsworth Means} } @book {1424708, title = {Varia Africana I}, year = {1917}, pages = {454}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Harvard African Studies Volume 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:427353574$1i}, editor = {Oric Bates and F. H. Sterns} } @book {1421872, title = {Discovery of a Fragment of the Printed Copy of the Work on the Millcayac Language}, year = {1913}, pages = {48}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 3, no. 5}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728706$1i}, author = {Luis De Valdivia} } @book {1424700, title = {A Preliminary Study of the Prehistoric Ruins of Nakum, Guatemala: A Report of the Peabody Museum Expedition, 1909{\textendash}1910}, year = {1913}, pages = {114}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 5, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023213$1i}, author = {Alfred M. Tozzer} } @book {1424701, title = {A Study of Maya Art: Its Subject Matter and Historical Development}, year = {1913}, pages = {389}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 6}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10543258$7i}, author = {Herbert J. Spinden} } @book {1422109, title = {The Archaeology of the Delaware Valley}, year = {1911}, pages = {534}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 5, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731670$1i}, author = {Ernest Volk} } @book {1424699, title = {Explorations in the Department of Peten, Guatemala, Tikal: Report of Explorations for the Museum, by Teobert Maler and A Preliminary Study of the Prehistoric Ruins of Tikal, Guatemala: A Report of the Peabody Museum Expedition, 1909{\textendash}1910}, year = {1911}, pages = {208}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 5, nos. 1-2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023217$1i}, author = {Alfred M. Tozzer} } @book {1422110, title = {Commentary on the Maya-Tzental Perez Codex with a Concluding Note upon the Linguistic Problem of the Maya Glyphs}, year = {1910}, pages = {66}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 6, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53731671$66i}, author = {William E. Gates} } @book {1422108, title = {Animal Figures in the Maya Codices}, year = {1910}, pages = {184}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 4, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:9001139$1i}, author = {Alfred M. Tozzer and Glover M. Allen} } @book {1424698, title = {Explorations in the Department of Peten, Guatemala, and Adjacent Region: Motul de San Jos{\'e}, Peten-Itza}, year = {1910}, pages = {52}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 4, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023210$1i}, author = {Teobert Maler} } @book {1424696, title = {Explorations in the Department of Peten, Guatemala, and Adjacent Region: Topoxt{\'e}, Yaxh{\'a}, Benque Viejo, Naranjo}, year = {1908}, pages = {144}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 4, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023212$1i}, author = {Teobert Maler} } @book {1424695, title = {Explorations of the Upper Usumatsintla and Adjacent Region}, year = {1908}, pages = {82}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 4, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023209$1i}, author = {Teobert Maler} } @book {1424697, title = {xplorations in the Department of Peten, Guatemala, and Adjacent Region: Topoxt{\'e}, Yaxh{\'a}, Benque Viejo, Naranjo}, year = {1908}, pages = {144}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 4, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023212$1i}, author = {Teobert Maler} } @book {1421871, title = {The Mandans: A Study of Their Culture, Archaeology, and Language}, year = {1906}, pages = {183}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 3, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728713$1i}, author = {G. F. Will and H. J. Spinden} } @book {1421889, title = {Commentary on the Maya Manuscript in the Royal Public Library of Dresden}, year = {1906}, pages = {228}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 4, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:9001135$1i}, author = {Ernst W. F{\"o}rstemann} } @book {1421870, title = {Inheritance of Digital Malformations in Man}, year = {1905}, pages = {32}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 3, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728702$3i}, author = {William C. Farabee} } @book {1421862, title = {Peabody Museum Press A Penitential Rite of the Ancient Mexicans}, year = {1904}, pages = {44}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, abstract = {Volume 1, no. 7}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728710$44i}, author = {Zelia Nuttall} } @book {1424051, title = {Exploration of Mounds, Coahoma County, Mississippi}, year = {1904}, pages = {84}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {

Peabody Museum Papers Volume 3, no. 2

}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728707$1i}, author = {Charles Peabody} } @book {1424693, title = {Archaeological Researches in Yucatan: Reports of Explorations for the Museum}, year = {1904}, pages = {45}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 3, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10023211$1i}, author = {Edward H. Thompsonv} } @book {1421865, title = {The Cahokia and Surrounding Mound Groups}, year = {1904}, pages = {34}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 3, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728705$1i}, author = {D. I. Bushnell, Jr.} } @book {1421875, title = {Representation of Deities of the Maya Manuscripts}, year = {1904}, pages = {54}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 4, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:9001134$1i}, author = {Paul Schellhas} } @book {1424594, title = {The Hieroglyphic Stairway, Ruins of Copan: Report on Explorations by the Museum}, year = {1902}, pages = {83}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 1, no. 6}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10044152$1i}, author = {George Byron Gordon} } @book {1421863, title = {The Fundamental Principles of Old and New World Civilizations: A Comparative Research Based on a Study of the Ancient Mexican Religious, Sociological, and Calendrical Systems}, year = {1901}, pages = {606}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 2, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728701$1i}, author = {Zelia Nuttall} } @book {1424595, title = {Researches in the Central Portion of the Usumatsintla Valley: Report of Explorations for the Museum, 1898{\textendash}1900, Part One}, year = {1901}, pages = {385}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 2, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10118856$1i}, author = {Teobert Maler} } @book {1424596, title = {Researches in the Central Portion of the Usumatsintla Valley: Report of Explorations for the Museum, 1898{\textendash}1900, Part Two}, year = {1901}, pages = {385}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 2, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10118856$1i}, author = {Teobert Maler} } @book {1421856, title = {Prehistoric Burial Places in Maine}, year = {1898}, pages = {52}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 1, no. 6}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728703$1i}, author = {Charles C. Willoughby} } @book {1424593, title = {Researches in the Uloa Valley, Honduras and Caverns of Copan, Honduras: Report on Explorations by the Museum, 1896-1897}, year = {1898}, pages = {70}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 1, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10044154$1i}, author = {George Byron Gordon} } @book {1424591, title = {Cave of Loltun, Yucatan: Report of Explorations by the Museum, 1888{\textendash}89 and 1890{\textendash}91}, year = {1897}, pages = {44}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 1, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10044150$1i}, author = {Edward H. Thompson} } @book {1424592, title = {The Chultunes of Labn{\'a}, Yucatan: Report of Explorations by the Museum, 1888{\textendash}89 and 1890{\textendash}91}, year = {1897}, pages = {50}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 1, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10044151$1i}, author = {Edward H. Thompson} } @book {1424590, title = {Prehistoric Ruins of Copan, Honduras: A Preliminary Report of the Explorations by the Museum, 1891{\textendash}1895}, year = {1896}, pages = {95}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Memoirs Volume 1, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:10044153$1i}, author = {George Byron Gordon} } @book {1421852, title = {A Study of Omaha Indian Music}, year = {1893}, pages = {152}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 1, no. 5}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728712$1i}, author = {Alice C. Fletcher} } @book {1421846, title = {Report upon Pile-Structures in Naaman{\textquoteright}s Creek, near Claymont, Delaware}, year = {1892}, pages = {24}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 1, no. 4}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728708$26i}, author = {Hilborne T. Cresson} } @book {1421574, title = {The Karankawa Indians, the Coast People of Texas}, year = {1891}, pages = {106}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 1, no. 2}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728704$105i}, author = {Albert S. Gatschet} } @book {1426264, title = {The Atlatl or Spear-Thrower of the Ancient Mexicans}, year = {1891}, pages = {40}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Papers Volume 1, no. 3}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728711$1i}, author = {Zelia Nuttall} } @book {1421572, title = {Standard or Head-Dress? An Historical Essay on a Relic of Ancient Mexico}, year = {1888}, publisher = {Peabody Museum Press}, organization = {Peabody Museum Press}, address = {Cambridge, Massachusetts}, abstract = {Peabody Museum Press Volume 1, no. 1}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:53728709$1i}, author = {Zelia Nuttall} } @article {1426998, title = {Annual Report of the Trustees of the Peabody Museum of American Archaeology and Ethnology, 1887 - 1890}, volume = {4}, year = {1887}, pages = {118}, abstract = {

Reports 1887-1890\ (PDF)

1887 p1
1888 p25
1889 p67
1890 p89

}, url = {https://books.google.com/books?vid=HARVARD:TZ1TYD\&printsec=titlepage$\#$v=onepage\&q\&f=false} } @article {1426982, title = {Annual Report of the Trustees of the Peabody Museum of American Archaeology and Ethnology, 1880-1886}, volume = {3}, year = {1887}, pages = {586}, abstract = {

Volume III

Reports 1880-1881\ (PDF)

1880 p1
1881 p53

Notes on the Copper Objects from North and South America Contained in the Collections of the Peabody Museum.\ (PDF)

Reports 1882-1883\ (PDF)

1882 p1
1883 p35

Notes Upon Human Remains from Caves in Coahuila, Mexico page\ (PDF)

Abstract from the [Trustee] Records, 1884 Seventeenth Report of the Curator\ (PDF)

18th Annual Report 1884\ (PDF)

19th Annual Report 1885\ (PDF)

20th Annual Report 1886\ (PDF)

}, url = {https://books.google.com/books?vid=HARVARD:TZ1TYC\&printsec=titlepage$\#$v=onepage\&q\&f=false} } @article {1427014, title = {Notes Upon Human Remains from the Caves of Coahuila, Mexico}, journal = {Peabody Museum Annual Reports}, volume = {3}, year = {1884}, url = {https://books.google.com/books?vid=HARVARD:HNPVYW\&printsec=titlepage$\#$v=onepage\&q\&f=false}, author = {Cordelia A. Studley} } @article {1426976, title = {Annual Report of the Trustees of the Peabody Museum of American Archaeology and Ethnology, 1877 - 1880}, volume = {2}, year = {1880}, pages = {775}, abstract = {

10th Report 1876\ (PDF)

On the Art of War and Mode of Warfare of the Ancient Mexicans\ (PDF)

11th Annual Report 1877\ (PDF)

The Manufacture of Soapstone Pots by the Indians of New England\ (PDF)

Observations on the Crania from the Stone Graves in Tennessee\ (PDF)

12th Annual Report 1878\ (PDF)

On the Social Organization and Mode of Government of the Ancient Mexicans\ (PDF)

On the Social Organization and Mode of Government of the Ancient Mexicans (continued)\ (PDF)

13th Annual Report 1879\ (PDF)

}, url = {https://books.google.com/books?vid=HARVARD:TZ1TY5\&printsec=titlepage$\#$v=onepage\&q\&f=false} } @article {1427007, title = {On the Social Organization and Mode of Government of the Ancient Mexicans}, journal = {Peabody Museum Annual Reports}, volume = {2}, year = {1879}, pages = {552-698}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:2834825$1i}, author = {Adolph Francis Alphonse Bandelier} } @article {1427003, title = {On the Art of War and Mode of Warfare of the Ancient Mexicans}, journal = {Peabody Museum Annual Reports}, volume = {2}, year = {1877}, pages = {95-166}, url = {https://iiif.lib.harvard.edu/manifests/view/drs:2834824$3i}, author = {Adolph Francis Alphonse Bandelier} } @journal {1426971, title = {Annual Report of the Trustees of the Peabody Museum of Archaeology and Ethnology, 1868 - 1876}, volume = {1}, year = {1876}, pages = {56}, abstract = {

Reports 1868 -1871\ (PDF)

1868 p1
1869 p35
1870 p59
1871 p75

Reports 1872-1874\ (PDF)

1872 p1
1873 p37
1874 p65

Reports 1875-1876\ \ (PDF)

1875 p1
1876 p65

}, url = {https://books.google.com/books?vid=HARVARD:TZ1TY4\&printsec=titlepage}, author = {Peabody Museum of American Archaeology and Ethnology} } @article {1427017, title = {Abstract from the [Trustee] Records, 1884 Seventeenth Report of the Curator }, journal = {Peabody Museum Annual Reports}, volume = {3}, year = {1866}, pages = {334-338}, url = {https://archive.org/stream/annualreportoftr03peabuoft/annualreportoftr03peabuoft_djvu.txt}, author = {Henry Wheatland} }