Paintings, Prints, and Drawings

2018
Corpus of Maya Hieroglyphic Inscriptions, Volume 10: Part 1: Cotzumalhuapa
Oswaldo Chinchilla Mazariegos. 1/15/2018. Corpus of Maya Hieroglyphic Inscriptions, Volume 10: Part 1: Cotzumalhuapa. Edited by Barbara Fash, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

2013
A Lakota War Book from the Little Big Horn: The Pictographic "Autobiography of Half Moon"
Castle McLaughlin. 12/13/2013. A Lakota War Book from the Little Big Horn: The Pictographic "Autobiography of Half Moon", Pp. 368. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

Foreword by Chief Joseph Brings Plenty, Cheyenne River Sioux

Houghton Library Studies 4

Winner, Bookbuilders of Boston/New England Book Show (General Trade, Illustrated)

First Place, NEMA Awards (Books >$500k)

"Transformative." Candace Greene

The composite nineteenth-century document known as "The Pictorial Autobiography of Half Moon, an Uncpapa Sioux Chief" has at its core seventy-seven drawings made by Lakota warriors of the northern Plains. Found in a funerary tipi on the Little Bighorn battlefield after Custer's defeat in 1876, the drawings are from a captured ledger book that was later acquired by Chicago journalist James "Phocion" Howard. Howard added an illustrated introduction and leather binding and presented the document as the autobiographical work of a "chief" named Half Moon.

Anthropologist Castle McLaughlin probes the complex life history and cultural significance of the ledger and demonstrates that the dramatic drawings, mostly of war exploits, were created by at least six different warrior-artists. Examining how allied Lakota and Cheyenne warriors understood their graphic records of warfare as objects as well as images, McLaughlin introduces the concept of "war books"—documents that were captured and modified by Native warriors in order to appropriate the power of Euroamerican literacy. Together, the vivid first-person depictions in the ledger—now in the collection of Harvard's Houghton Library—make up a rare Native American record of historic events that likely occurred between 1866 and 1868 during Red Cloud's War along the Bozeman Trail.

A complete color facsimile of the Houghton ledger is reproduced in this ground-breaking volume.

Castle McLaughlin is Peabody Museum Curator of North American Ethnology.

"McLaughlin’s latest publication brings readers into the world of the real Crazy Horse. … As McLaughlin explains, these [ledger] drawings are as rich and informative as any Euro‐American literary text"

—Henry Adams, Ruth Coulter Heede Professor of Art History at Case Western Reserve University, The Conversation

>> read the full review 

 

"...completely engrossing."—David Wilk, WritersCast: The Voice of Writing

>> read the full review and listen to an interview with Castle McLaughlin

 

Please request signed copies when ordering by email.

Co-published with Houghton Library.

2012
Hunters, Carvers & Collectors: The Chauncey C. Nash Collection of Inuit Art
Maija M. Lutz. 11/12/2012. Hunters, Carvers & Collectors: The Chauncey C. Nash Collection of Inuit Art, Pp. 128. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract
In the late 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was being introduced in Kinngait (Cape Dorset), an Inuit community on Baffin Island in the Canadian territory of Nunavut. Nash donated some 300 prints and sculptures to Harvard’s Peabody Museum—one of the oldest collections of early modern Inuit art. The Peabody collection includes not only early Inuit sculpture but also many of the earliest prints on paper made by the women and men who helped propel Inuit art onto the world stage.

Author Maija M. Lutz draws from ethnology, archaeology, art history, and cultural studies to tell the story of a little-known collection that represents one of the most vibrant and experimental periods in the development of contemporary Inuit art. Lavishly illustrated, Hunters, Carvers, and Collectors presents numerous never-before-published gems, including carvings by the artists John Kavik, Johnniebo Ashevak, and Peter Qumalu POV Assappa. This latest contribution to the award-winning Peabody Museum Collections Series fills an important gap in the literature of Native American art.

2006
Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina
Ian Graham. 11/15/2006. Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 2: Tonina, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

2004
Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 1: Naranjo
Ian Graham and Eric von Euw. 12/1/2004. Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 1: Naranjo, Pp. 64. Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras
David Stuart and Ian Graham. 3/3/2004. Corpus of Maya Hieroglyphic Inscriptions, Volume 9: Part 1: Piedras Negras, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

The first of five anticipated volumes on the renowned monuments of Piedras Negras, Guatemala, this volume describes the site and the history of exploration at this important center of Classic Maya civilization. It includes photographs and detailed line drawings of twelve of the inscribed sculpted monuments at Piedras Negras, as well as a map of the ruins.

1999
Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 3: Tonina
Ian Graham and Peter Mathews. 3/31/1999. Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 3: Tonina, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1997
Corpus of Maya Hieroglyphic Inscriptions, Volume 8: Part 1: Coba
Ian Graham and Eric von Euw. 12/29/1997. Corpus of Maya Hieroglyphic Inscriptions, Volume 8: Part 1: Coba, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1996
Corpus of Maya Hieroglyphic Inscriptions, Volume 7: Part 1: Seibal
Ian Graham. 3/19/1996. Corpus of Maya Hieroglyphic Inscriptions, Volume 7: Part 1: Seibal, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1993
Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 2: Uxmal
Ian Graham. 3/1/1993. Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 2: Uxmal, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 3: Uxmal, Xcalumkin
Ian Graham and Eric von Euw. 3/1/1993. Corpus of Maya Hieroglyphic Inscriptions, Volume 4: Part 3: Uxmal, Xcalumkin, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1987
Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 3: Uaxactun
Ian Graham. 2/9/1987. Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 3: Uaxactun, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1985
Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 2: Xultun
Eric von Euw and Ian Graham. 6/10/1985. Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 2: Xultun, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1983
Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 1: Tonina
Peter Mathews. 8/1/1983. Corpus of Maya Hieroglyphic Inscriptions, Volume 6: Part 1: Tonina, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts. 

1980
Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 3: Ixkun, Ucanal, Ixtutz, Naranjo
Ian Graham. 3/12/1980. Corpus of Maya Hieroglyphic Inscriptions, Volume 2: Part 3: Ixkun, Ucanal, Ixtutz, Naranjo, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 1: Yaxchilan
Ian Graham and Eric von Euw. 3/12/1980. Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 1: Yaxchilan, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts. 

Volume 3 documents the lintels and hieroglyphic stairways  of Yaxchilan, Chiapas, Mexico.

1979
Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 2: Yaxchilan
Ian Graham. 5/25/1979. Corpus of Maya Hieroglyphic Inscriptions, Volume 3: Part 2: Yaxchilan, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

Volume 3 documents the lintels and hieroglyphic stairways  of Yaxchilan, Chiapas, Mexico.

 

Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 1: Xultun
Eric von Euw. 1/1/1979. Corpus of Maya Hieroglyphic Inscriptions, Volume 5: Part 1: Xultun, Pp. 64. Cambridge, Massachusetts: Peabody Museum Press. BUY THIS BOOKAbstract

For more than 45 years, the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art to advance the study of the ancient Maya. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, and to source communities in in Honduras, Guatemala, and Mexico.

Each volume in the series consists of three or more fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings with descriptive texts.

 

1941
Landa’s Relación de las Cosas de Yucatan: A Translation
1941. Landa’s Relación de las Cosas de Yucatan: A Translation, Pp. 422. Cambridge, Massachusetts: Peabody Museum Press. READ ONLINEAbstract
Peabody Museum Papers Volume 18, no. 1
1924
Astronomical Notes on the Maya Codices
Robert W. Willson. 1924. Astronomical Notes on the Maya Codices, Pp. 74. Cambridge, Massachusetts: Peabody Museum Press. READ ONLINEAbstract
Peabody Museum Papers Volume 6, no. 3

Pages