Reframing Agassiz and Hartt's Collecting in Brazil

In May 2024, the Peabody Museum and Radcliffe Institute hosted a weeklong seminar titled “The Body-territory of the Rainforest: Revisiting the Thayer and Morgan Expedition Collections Through Cosmovisions and the Legacies of Slavery.” Participants included Anita Ekman, artist, independent researcher and curator; Tom Cummins, director of Dumbarton Oaks and Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art; Lisa Barbash, Curator of Visual Anthropology at the Peabody Museum; Cristine Takuá, Maxacali, curator and educator, Co-founder of the Museum of Indigenous Culture of São Paulo; Cristiana Barreto, archaeologist, curator and associate professor at Museu Paraense Emílio Goeldi; Claudia Mattos Avolese, Senior Lecturer at the School of the Museum of Fine Arts at Tufts University; Cristoph Irmscher, director of the Wells Scholar Program and Distinguished Professor of English at Indiana University; Carlos Papa, Guarani Mbya spiritual leader and filmmaker; Freg Stokes, historian and geographer, postdoctoral researcher at the Max Planck Institute of Geoanthropology; Kleber Amancio, Assistant Professor at the Federal University of Recôncavo da Bahia; João Paulo Barreto, Yepamahsã (Tukano), Professor of Anthropology, Universidade Federal do Amazonas; Sergio Burgi, Head Curator of Photography at the Instituto Moreira Salles in Rio de Janeiro; Ana Laura Malmaceda, PhD candidate in Romance Languages at Harvard University and Julia Pastreich, Harvard College ’25 and Peabody Museum Curatorial Research Assistant.

photo of group in front of a building with columns in front

The goal of the seminar was to bring together an interdisciplinary group of artists, art historians, curators and scientists to revisit and reframe objects collected by Louis Agassiz and Charles Hartt during the Thayer and Morgan expeditions to Brazil in the 19th century and housed at the Harvard Museums of Science and Culture. While these collections, which were separated out and distributed at different museums at Harvard – the Museum of Comparative Zoology and the Peabody Museum – have been studied to some extent on their own, they have not been considered in relation to each other since their extraction.

 

 

 

 

 

 

 

 

painting of Brazilian fish from 1865
Ogcocephalus vespertilio painted by Jacques Burkhardt in Rio de Janeiro, Brazil in 1865. Burkhardt was Louis Agassiz’s personal artist during the Thayer expedition to Brazil. The entire collection of Burkhardt’s fish watercolors can be viewed online. From the Ernst Mayr Library and Archives of the Museum of Comparative Zoology, Harvard University.
brown woven Tukano shield
A woven Tukano shield. The shield was collected by Agassiz during the Thayer Expedition and donated to the Peabody Museum from the Museum of Comparative Zoology in 1878. Gift of the Museum of Comparative Zoology, 78-5-30/16765B
group viewing fossil specimens in comparative zoology storage space
João Paulo Barreto, Cristiana Barreto, Carlos Papa, Cristine Takuá, Anita Ekman, Claudia Mattos Avolese and MCZ vertebrate paleontology curator Adam Kowalczyk discuss fish fossil specimens collected in Brazil by Charles Hartt. Photo by Lisa Barbash.

Together the participants viewed materials that Louis Agassiz and Charles Hartt collected in Brazil in the mid nineteenth century and are now held in the MCZ’s ichthyology and paleontology departments and the Ernst Mayr Library, in addition to ceramics, photographs and Indigenous belongings housed at the Peabody Museum. The group discussed their work and the collections they viewed to begin the process for creating programming around this project. 

 

 

 

 

 

over the shoulders of two people, a man gestures at a large cylindrical drum
Cristine Takuá, João Paulo Barreto and Claudia Mattos Avolese with a wooden Tukano drum (PM# 22-36-30/F388.2). Photo by Lisa Barbash. Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University.

The seminar came about after the Peabody Museum co-sponsored a virtual talk called Race, Representation, and Agassiz’s Brazilian Fantasy with the Harvard Museums of Science & Culture, the David Rockefeller Center for Latin American Studies, Harvard University, and the Afro-Latin American Research Institute at the Hutchins Center, Harvard University (ALARI) on April 1, 2021. Speakers included Sandra Benites (Guaraní Ñandeva), Adjunct Curator of Brazilian Art, Museum of Art of São Paulo; Anita Ekman, Visual and Performance Artist and independent researcher; Cristoph Irmscher, Director of the Wells Scholar Program and Distinguished Professor at Indiana University, Luciana Namorato, Associate Professor and Director of Portuguese in the Department of Spanish and Portuguese at Indiana University. The talk was moderated by Alejandro De La Fuente, Robert Woods Bliss Professor of Latin American History and Economics; Professor of African and African American Studies and of History, Harvard University. After the talk, Anita Ekman and Sandre Benites worked with the Peabody Museum to submit a proposal for the Radcliffe Seminar. 
 

Co-curators Ilisa Barbash, Anita Ekman, Cristine Takua and Carlos Papa are now working together online to create a proposal for an exhibition based on ideas generated at the seminar to be installed at the Peabody and hopefully in Brazil.